Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XV

“ Another monster, with a crushed face and pendant breasts, a man's face in his stomach and wings springing from his loins, has clasped a priest in his arms and is pitching him head foremost into a cauldron boiling over the flames from a dragon's mouth blown up with bellows by two of the devil's slaves. And in this cauldron sit two figures symbolical of slander and lust, a monk and a woman writhing and weeping, for enormous toads are gnawing at the tongue of one and at the heart of the other. ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XV

“ In the upper division, again, the weighing of souls goes on in a magnificent composition; Saint Michael with wide-spread wings holds a large pair of scales and smiles as he caresses a little child with folded hands, while a goat-headed devil watches eagerly to seize him if the Archangel should turn away; and behind this lingering demon begins the dolorous procession of the outcast. Nor have we here the infernal courtliness of the scene as represented at Chartres, the doubtful consideration of an evil spirit gently driving in a nun; it is brutality in all its horror, the lowest violence ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XV

“ The mad confusion of all these human beings, suddenly awakened, and brought like owls into the light of day, trembling with fear or with joy as they see and understand that the day of Judgment is come, is all expressed with a fulness, a spirit, a certainty of observation which leave the petty accuracy and mild energy of the Chartres sculptor far behind them. ”
Source: Wikisource

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