Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XVI

“ Hosts of people shouting canticles with eyes straight to Heaven or looking for Jesus on the ground by way of unction are too much for me. I am all for the forlorn Queens, for the deserted churches and dark chapels. I am of the opinion of Saint John of the Cross, who confesses that he does not love the pilgrimage of crowds because one comes back more distracted than when one started.
"No. What it is really a grief to me to leave in quitting Chartres is that very silence, that solitude in the cathedral, those interviews with the Virgin in the gloom of the crypt and the twilight of the nave.
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Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XVI

“ The Soul, distraught by the joy of union, heart-broken at having still to live, only aspires now to escape for ever from the Gehenna of the flesh; thus it beseeches the Bridegroom with the uplifted arms of its towers, to take pity on it, to come to fetch it, to take it by the clasped hands of its spires and snatch it from earth, to carry it up with Him into Heaven. ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  The Cathedral — Chapter XVI

“ The great front has neither the awful majesty of that of Reims, pierced as it is with tracery, nor the dull melancholy of Notre Dame de Paris, nor the gigantic grace of Amiens, nor the massive solemnity of Bourges; but it is full of imposing simplicity, a lightness, a spring, which no other cathedral has attained to.
"The nave of Amiens alone grows beautifully less as it rises with as eager a spring from the earth; but the body of the Amiens church is light and uncomforting, and that of Chartres is mysterious and hushed
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Source: Wikisource

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