Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans The Cathedral — Chapter V

Still, perhaps the most ingeniously refined, the most exquisite idea is that which occurred to the architects of Saint Maclou at Rouen, of Notre Dame at Dijon, and of the Cathedral at Laon, for example, who built rising from the centre of the transepts—that is above the very spot where, on the Cross, the breast of Christ would lie, a lantern higher than the rest of the roof, often finishing outside in a tall and slender spire, starting as it were from the Heart of Christ to leap with one spring to the Father, to soar as if shot up from the bow of the vaulting in a sharp dart to reach the sky.
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans The Cathedral — Chapter V

Durtal laughed.
"The world of letters! No, Monsieur l'Abbé, I should not be likely to regret that, for I had given it up many years before I came to live here; and besides, I assure you it is impossible to be intimate with those train-bands of literature and remain decent. A man must choose—them or honest folks; slander or silence; for their speciality is to eliminate every charitable idea, and above all to cure a man of friendship in the winking of an eye."
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans The Cathedral — Chapter V

And when, in answer to his question as to whether Durtal were not too dull at Chartres, the Parisian replied, "It seems to me that I live more slowly, and yet am not such a burthen to myself," the Abbé went on,—
"What you must feel painfully is the lack of intellectual society; you, who in Paris lived in the world of letters—how can you endure the atmosphere of this provincial town?"
Source: Wikisource

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