“ Our first tramp for a sight was to Notre Dame; and I shall never forget, Charley, my first view of this cathedral. The exterior is more striking than any church edifice that I have yet seen. No engraving can afford a fair idea of its grandeur to one who has not seen it, though it will help my mind, to recall its beauties whenever I see the picture. You are so well read about Paris, that I hardly need tell you that eight centuries have rolled away since Notre Dame was built. It is regarded as the noblest Gothic pile in France, and is the pride of Paris. ”
Notre Dame
Definition and stakes
Notre Dame, a census-designated place in Indiana, is renowned for being home to the University of Notre Dame and two other institutions, merging academic and religious traditions. Authors such as Victor Hugo, Edith Wharton, and William Dean Howells have praised its architectural splendor, highlighting its Gothic spires, elaborate stonework, and lasting charm.
Hugo emphasized its emotional impact, Wharton appreciated its classical balance, and Howells focused on its breathtaking views. These diverse viewpoints highlight Notre Dame’s lasting significance as a symbol of both cultural and spiritual value, connecting historical respect with literary creativity.
Quotes about “Notre Dame”
A. E. W. Mason,
The House of the Arrow — Chapter 11
(1924)
“ Just in front, the slender apse of Notre Dame, fine as a lady's ornament, set him wondering how in the world through all these centuries it had endured; and beyond, rich and green and wonderful, stretched the level plain with its shining streams and nestling villages. ”
William Dean Howells,
The Entire March Family Trilogy
“ From the top of Notre Dame is certainly to be had a prospect upon which, but for his fluttered nerves and trembling muscles and troubled respiration, the traveller might well look with delight, and as it is must behold with wonder. So far as the eye reaches it dwells only upon what is magnificent. All the features of that landscape are grand. ”
Edith Wharton,
A Motor-Flight Through France
(1908)
“ Through all its profusion of statuary and ornamental carving, the front of Notre Dame preserves that subordination to classical composition that marks the Romanesque of southern France; but between the arches, in the great spandrils of the doorways, up to the typically Poitevin scales of the beautiful arcaded angle turrets, what richness of detail, what splendid play of fancy! ”
Nathaniel Hawthorne,
Passages from the French and Italian Notebooks…
“ The interior loftiness of Notre Dame, moreover, gives it a sublimity which would swallow up anything that might look gewgawy in its ornamentation, were we to consider it window by window, or pillar by pillar. It is an advantage of these vast edifices, rising over us and spreading about us in such a firmamental way, that we cannot spoil them by any pettiness of our own, but that they receive (or absorb) our pettiness into their own immensity. Every little fantasy finds its place and propriety in them, like a flower on the earth's broad bosom. ”
Burton Egbert Stevenson,
The Home Book of Verse — Volume 2
“ Alas! but where was thine? And when the morning sun was bright, When wind and wave were calm, And flamed, in thousand-tinted light, The rose of Notre Dame, I wandered through the haunts of men, From Boulevard to Quai, Till, frowning o'er Saint Etienne, The Pantheon's shadow lay. In vain, in vain; we meet no more, Nor dream what fates befall; And long upon the stranger's shore My voice on thee may call, When years have clothed the line in moss That tells thy name and days, And withered, on thy simple cross, The wreaths of Pere-la-Chaise! ”
Victor Hugo,
The Hunchback of Notre-Dame
(1831)
“ It was, let us remark in passing, a singular fate for the Church of Notre-Dame at that epoch to be so beloved, in two different degrees, and with so much devotion, by two beings so dissimilar as Claude and Quasimodo. Beloved by one, a sort of instinctive and savage half-man, for its beauty, for its stature, for the harmonies which emanated from its magnificent ensemble ”
Various, New York Times Current History…
“ What a peerless jewel it was, this cathedral, still more beautiful than Notre Dame in Paris. More open and lighter, more slender also, with its columns like long reeds, wonderful to be so fragile, and yet to hold firm; a wonder of our French religious art, a masterpiece which the faith of our ancestors had caused to blossom there in its mystic purity, before they came to us from Italy, to materialize and spoil everything, the sensual heaviness of what we have agreed to call the Renaissance.... ”
Sir Archibald Alison, Travels in France during the years 1814-15
“ In spite of all these circumstances, however, the Cathedral of Notre Dame produces a deep impression on the mind of the beholder; its towers rise to a stupendous height above all the buildings which surround them; while the stone of every other edifice is of a light colour, they alone are black with the smoke of centuries; and exhibit a venerable aspect of ancient greatness in the midst of the brilliancy of modern decoration with which the city abounds. ”
Charles W. Wood, Glories of Spain
“ The ghastly Morgue is weighted with secrets. Every bridge is surrounded by an atmosphere of sighs. One last look upon the world, the sky, the quiet stars, then the fatal plunge into the silent waters, and another soul has risked the unknown.Once more in the darkness uprose the outlines of Notre Dame in all the beauty of Gothic refinement; all the delicate lacework and flying buttresses subdued and dreamlike under the night sky. ”
Mary Wilson Alloway, Famous Firesides of French Canada
“ They plighted their troth as happily before the altar of the little chapel, as do their descendants in the stately church of Notre Dame, with the grand organ pealing through the dim arches and groined roof.The old, old wheel is silent, and the fingers that once held distaff and spindle have crumbled into dust, but the noble deeds and glorious names of those days gone by are carven deep in the monument of a grateful country's memory. ”
Judith Cladel,
Rodin: The Man and His Art, with Leaves from His Note-book
“ At last one day Rodin took me to Notre Dame, beautiful among the beautiful, despite the modern restorations that have detracted from the grace and suppleness of its sculpture. Notre Dame of Paris is beautiful in itself and in its situation on the banks of the Seine, that river of feminine grace, which in its innocent course draws with it the memory of many terrible historic events. ”
Mary MacLane, My Friend Annabel Lee (1903)
“ And the Notre Dame cathedral, when the setting sun touches its great, tall, gray, twin towers with red, is even more than French and Roman Catholic. The white-faced women in the nunnery at the side of it must need have a likeness of those eternal towers graven on their narrow devout hearts. ”
Victor Hugo,
The Hunchback of Notre-Dame
(1831)
“ The church of Notre-Dame de Paris is still no doubt, a majestic and sublime edifice. But, beautiful as it has been preserved in growing old, it is difficult not to sigh, not to wax indignant, before the numberless degradations and mutilations which time and men have both caused the venerable monument to suffer, without respect for Charlemagne, who laid its first stone, or for Philip Augustus, who laid the last. ”
With the World's Great Travellers…
“ Art and learning, the genius of ecclesiasticism and the desire for popular enjoyment, contributed the venerable edifices and their priceless treasures, and dowered the modern city with the heirlooms of many centuries. Notre Dame rose eight hundred years ago from the ruins of a fourth-century church. ”
Victor Hugo,
Notre-Dame de Paris
(1888)
“ At Notre-Dame it was a tiny cell situated on the roof of the side aisle, beneath the flying buttresses, precisely at the spot where the wife of the present janitor of the towers has made for herself a garden, which is to the hanging gardens of Babylon what a lettuce is to a palm-tree, what a porter's wife is to a Semiramis. ”
Charles J. Herr, See America First
“ A feeling of solemnity steals over you akin to that which you experience while treading the dim lighted aisle of some vast cathedral. On first beholding the Notre Dame in Cologne, you feel as if you were indeed lingering at the gates of the "Temple Beautiful." And on entering, how majestic are the arches, how long the vista, how richly illuminated and emblazoned the windows, and how heavenly the music that thrills the "iris tinted silences." ”
by Henry James, A Little Tour In France — Chapter XVII
“ The Temple de Saint-Jean is therefore a monument even more venerable than Notre Dame la Grande, and that numbness of age which I imputed to Notre Dame ought to reside in still larger measure in its crude and colorless little walls. I call them crude, in spite of their having been baked through by the centuries, only because, although certain rude arches and carvings are let into them, and they are surmounted at either end with a small gable, they have (so far as I can remember) little fascination of surface. Notre Dame is still expressive, still pretends to be alive ”
Elizabeth Boyle O'Reilly, How France Built Her Cathedrals…
“ The façade of Notre Dame is true to its epoch in its appeal to the intellect rather than to the emotions. It was built in the golden age of scholasticism, when religion and philosophy went hand in hand, when the teachers in the schools of Paris, the cité lettré, the œil du monde, thought that Faith and Reason could give mutual aid one to the other, that the truths of Revelations could coincide with the natural judgment. ”
Théophile Gautier,
Wanderings in Spain
“ Notre Dame at Paris might walk about erect in the middle [266] nave, which is of a frightful height; pillars, as large round as towers, and which appear so slender that they make you shudder, rise out of the ground or descend from the vaulted roof, like the stalactites in a giant's grotto. The four lateral naves, although less high, would each cover a church, steeple included. The retablo, or high altar, with its stairs, its architectural superpositions, and its rows of statues rising in stories one above the other, is in itself an immense edifice, and almost touches the roof. ”
Elizabeth Boyle O'Reilly, How France Built Her Cathedrals…
“ Of our kin were the architects, masters of the living stone, who with inspiration conceived their shrines of Notre Dame and were trained soundly enough in mason craft to achieve their dreams; of our kin were the artisans who put up the serene images at cathedral doors for the edification of the people, and chiseled with warm, loving touches the running bramble of the roadside. Even botany is to be learned in mediæval cathedrals. Not a leaf that grows in Champagne to-day but was carved on the walls of Rheims seven hundred years ago. ”
Elizabeth Boyle O'Reilly, How France Built Her Cathedrals…
“ In Notre Dame you comprehend the spectacular repentances of the Middle Ages. Here, when pestilence stalked the city or the enemy was at the gate, have echoed the Miserere and the Libera nos, Domine. [72] There is an individuality in the cathedral of Paris that overrides every criticism. Perpetually does the worshiper find in it new aspects, in the dim, low aisles full of mystery, in the gleam of transept windows as seen through the tribune arches while one listens, perhaps, to a lenten friar preacher discoursing of sin, justice, and the judgment to come ”
Charles Hitchcock Sherrill,
Stained Glass Tours in France
“ So small is the edifice that we cannot stand far enough away from the glass to let it develop the glittering glow that refraction of the rays of light lends to the glazing of the thirteenth century, but which no other period can show us. In order to fully realise what we have lost by being too near the windows, take the short stroll that brings you to the Cathedral of Notre Dame. ”
C. B. Black, The South of France—East Half
“ Notre Dame, an edifice in the Roman-Byzantine style, consists of an upper and a lower church. The dome over the apse is 48 ft. high. The interior of the church is lined with Carrara marble, but the pilasters and columns are of marble from Africa and the Alps. Over the high altar in the low church is the miracle-working image of Notre Dame. It is about 6 ft. high, stands on a pedestal of olive wood, is hollow, and made of a kind of stucco (carton-pierre) silvered over, excepting the face and hands of both it and the child. It weighs 1 cwt. ”
M. F. Mansfield, The Cathedrals of Northern France
“ Built up from a foundation of which but little, if any portion, visibly remains, Notre Dame shows a debasement of design and decoration of its façade which is not only not admirable, but is, in addition, sadly disfigured. The one detail, for the most part good in style, is a not unduly florid arcade, which plainly indicates its superiority over the rest of the building. ”
T. W. Allies, Journal in France in 1845 and 1848 with Letters from Italy in 1847
“ The country is cut on a broad and large scale, which contrasts strongly with the limited and smaller prospects in England. We reached Mantes just in time to have a look at the beautiful church of Notre Dame, worthy of its builders, Blanche of Castile and S. Louis.Tuesday, July 18.—We attended a Low Mass at six this morning, in the Lady Chapel at Notre Dame; there were a good many people, sisters of charity, and Christian brothers, and several communicants. ”
M. S. Pine, The Venerable Don Bosco, the Apostle of Youth (1916)
“ The Mont des Capucines; Notre Dame des Champs; Pozzo di Strada; and Notre Dame des Lacs d'Avigliano. Those happy days are engraved in our memories; piety and joy reigned among us and influenced our future lives. ”
Various, Donahoe's Magazine, Volume 15, No…
“ These, together with the lights in the halls of the college, are fed with the electric current by a powerful dynamo, situated in the rear of the building. Thus the visitor to Notre Dame, as he comes up the avenue at night, or the wayfarer for miles around, can realize and revere that glorious tribute to the Queen of Heaven, the Protectress of Notre Dame, as he sees her figure surrounded with its halo of light, typifying the watchful care she constantly exercises, by night as well as by day, over the inmates of this home of religion and science, which has been specially dedicated to her honor. ”
Gilbert Parker,
The Lane That Had No Turning, Volume 2
“ What purty eyes she have in her head! She have that Marie in her arms, and I say to Bargon it is like the Madonne in the Notre Dame at Montreal. He nod his head. 'C'est le bon Dieu—it is the good God,' he say."Before I go I take a piece of palm—it come from the Notre Dame; it is all bless by the Pope—and I nail it to the door of the house. 'For luck,' I say. ”
Jean Marie Aladel, The Miraculous Medal: Its Origin…
“ The church of Notre Dame des Victoires was henceforth numbered among the most celebrated sanctuaries in the world. At all hours may the faithful be seen around its altars in the attitude of prayer and recollection. The re-unions which take place every Sunday present a touching spectacle, a dense crowd composed of persons of every condition, who, after fervently chanting Mary's praises, listen attentively to a long series of petitions received in the course of the week from all quarters of the globe. ”
Charles Hiatt, Notre Dame de Paris
“ The Paris of magnificent vistas is at least less fascinating to the artist than the comparatively provincial city of crooked lanes which has gone to make way for a series of lofty and pretentious street fronts and spacious squares.4Strange it is that, where so much has been changed, the cathedral church of Notre Dame has remained almost unaltered in outline and general effect. Revolutions have surged round it; monstrous rites have been perpetrated within it; even the hail of shot and shell have left this wonderful Gothic creation poorer only in decorative detail. ”
Joel Cook,
America, Volume 4 (of 6)
“ The interior, like all the French Catholic churches, is brilliantly decorated, for the religious development is the same as that of France in the seventeenth century, everything contributing to the intensity of the devotion and the elaborateness of decoration and paraphernalia of the service. At High Mass, when crowded by worshippers, the choir filled with robed ecclesiastics officiating in the stately ceremonial, the effect is imposing. The original church of Notre Dame was built in 1671, a long, low structure with a high pitched roof. ”
Charles Hiatt, Notre Dame de Paris
“ THE INTERIOR.—THE NAVE. It is difficult accurately to state why a sense of disappointment is so often felt on entering the Cathedral of Paris. The unsatisfactory impression given by Notre Dame is one experienced by visitors of all kinds. The architectural critic, who looks upon a Gothic church as the result of certain clearly defined principles of construction and decoration, must inevitably find in it much to admire. ”
William S. Walsh, Around the world in eighty minutes (1894)
“ NOTRE DAME, PARIS. The cathedral of Notre Dame, one of the great historical churches of the world and one of the most beautiful specimens of mediæval architecture, was founded in 1163 on the site of an earlier church, was consecrated in 1182 and was completed in 1420. It suffered sadly during the Revolution, when it was made a Temple of Reason ”
Romesh Chunder Dutt,
Three Years in Europe, 1868 to 1871
(1896)
“ The organ in the Cathedral is one of the finest in the world and has 5000 pipes, and I do not think I have ever heard anything finer or more imposing than the service in the Notre Dame on one of the Sundays I passed in Paris. ”
