Joris-Karl Huysmans

Joris-Karl Huysmans

Summary

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  Against the Grain — Chapter XV (1926)

“ Then, on another side, secular music is a promiscuous art which one cannot enjoy at home and alone, as one reads a book; to taste it, he must needs have mixed with that inevitable public that crowds to theatres and besieges the Cirque d'hiver where, under a broiling sun, in an atmosphere as muggy as a wash-house, you see a man with the look of a carpenter bawling a remoulade and massacring disconnected bits of Wagner to the huge delight of an ignorant crowd! ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  Against the Grain — Chapter XV (1926)

“ The physician in question was a noted specialist, renowned for the cure of nervous disorders; "he must before now have cured more obstinate and more dangerous cases than mine," Des Esseintes told himself; "not a doubt of it, I shall be set up again in a few days' time." But presently again this over-confidence was followed by a feeling of utter disenchantment; no matter how learned and how perspicacious they may be, doctors really know nothing about nervous disease, the very cause of which they cannot tell. ”
Source: Wikisource

Portrait of Joris-Karl Huysmans Joris-Karl Huysmans,  Against the Grain — Chapter XV (1926)

“ Hilary, who, lacking the complicated resources of an orchestra, failing the mechanical music of modern music, displayed an ardent faith, a delirious joy, the essence of the soul of all humanity expressed in burning, trustful, almost heavenly accents?
In any case, Des Esseintes' ideas on music were in flagrant contradiction with the theories he professed as to the other arts. In religious music, he really cared only for the monastic music of the Middle Ages, that ascetic music that acted instinctively on the nerves, like certain pages of the old Christian Latinity
”
Source: Wikisource

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