Summary

Portrait of Anton Chekhov Anton Chekhov The Bishop and Other Stories — Uprooted (1919)

The path from the Monastery to the Hermitage, towards which I directed my steps, twined like a snake along the high steep bank, going up and down and threading in and out among the oaks and pines. Below, the Donets gleamed, reflecting the sun; above, the rugged chalk cliff stood up white with bright green on the top from the young foliage of oaks and pines, which, hanging one above another, managed somehow to grow on the vertical cliff without falling. The pilgrims trailed along the path in single file, one behind another.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Bishop and Other Stories — Uprooted (1919)

The pines which were piled up on the overhanging mountain, one above another, and leaned towards the roof of the hostel, gazed into the courtyard as into a deep pit, and listened in wonder; in their dark thicket the cuckoos and nightingales never ceased calling. . . . Looking at the confusion, listening to the uproar, one fancied that in this living hotch-potch no one understood anyone, that everyone was looking for something and would not find it, and that this multitude of carts, chaises and human beings could not ever succeed in getting off.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Bishop and Other Stories — Uprooted (1919)

More than ten thousand people flocked to the Holy Mountains for the festivals of St. John the Divine and St. Nikolay the wonder-worker. Not only the hostel buildings, but even the bakehouse, the tailoring room, the carpenter's shop, the carriage house, were filled to overflowing. . . . Those who had arrived towards night clustered like flies in autumn, by the walls, round the wells in the yard, or in the narrow passages of the hostel, waiting to be shown a resting-place for the night. The lay brothers, young and old, were in an incessant movement, with no rest or hope of being relieved.
Source: Wikisource

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