Summary

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

That does not fit in with the legend.
“That does not matter,” the monk answered in a low voice, not immediately turning his face towards him. “The legend, the mirage, and I are all the products of your excited imagination. I am a phantom.”
“Then you don’t exist?” said Kovrin
“You can think as you like,” said the monk, with a faint smile. “I exist in your imagination, and your imagination is part of nature, so I exist in nature.
“You have a very old, wise, and extremely expressive face, as though you really had lived more than a thousand years,” said Kovrin.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

He saw on the floor near his face a great pool of blood, and was too weak to utter a word, but an unspeakable, infinite happiness flooded his whole being. Below, under the balcony, they were playing the serenade, and the black monk whispered to him that he was a genius, and that he was dying only because his frail human body had lost its balance and could no longer serve as the mortal garb of genius.
When Varvara Nikolaevna woke up and came out from behind the screen, Kovrin was dead, and a blissful smile was set upon his face.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Lady with the Dog and Other Stories… (1917)

The last rays of the setting sun still threw light here and there on the gloomy pines, but it was quite dark on the surface of the river. Kovrin crossed to the other side by the narrow bridge. Before him lay a wide field covered with young rye not yet in blossom. There was no living habitation, no living soul in the distance, and it seemed as though the little path, if one went along it, would take one to the unknown, mysterious place where the sun had just gone down, and where the evening glow was flaming in immensity and splendour.
Source: Wikisource

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