Summary

Portrait of Anton Chekhov Anton Chekhov The Bishop and Other Stories — Easter Eve (1919)

Ieronim answered gently. "Is there no one else?"
"No one. . . ."
Ieronim took hold of the rope in both hands, bent himself to the figure of a mark of interrogation, and gasped. The ferry-boat creaked and gave a lurch. The outline of the peasant in the high hat began slowly retreating from me--so the ferry was moving off. Ieronim soon drew himself up and began working with one hand only. We were silent, gazing towards the bank to which we were floating. There the illumination for which the peasant was waiting had begun. At the water's edge barrels of tar were flaring like huge camp fires.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Bishop and Other Stories — Easter Eve (1919)

Ieronim hid his face in his hands, as though frightened at something or overcome with shame, and shook his head.
"Tree that bearest the fair fruit of light . . . tree of gracious spreading shade. . . ." he muttered. "To think that a man should find words like those! Such a power is a gift from God! For brevity he packs many thoughts into one phrase, and how smooth and complete it all is! 'Light-radiating torch to all that be . . .' comes in the canticle to Jesus the Most Sweet.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Bishop and Other Stories — Easter Eve (1919)

They all speak loudly, and tramp heavily when they walk; they are noisy, they clear their throats, but Nikolay always talked softly, caressingly, and if he noticed that anyone was asleep or praying he would slip by like a fly or a gnat. His face was tender, compassionate. . . ."
Ieronim heaved a deep sigh and took hold of the rope again. We were by now approaching the bank. We floated straight out of the darkness and stillness of the river into an enchanted realm, full of stifling smoke, crackling lights and uproar. By now one could distinctly see people moving near the tar barrels.
Source: Wikisource

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