Anton Chekhov

Anton Chekhov

Summary

Portrait of Anton Chekhov Anton Chekhov The Tales of Chekhov (1917)

By his supremacy as a writer of short stories, Chekhov has been termed the Russian Maupassant, and there are, indeed, several vital resemblances between the outlook of the French and of the Russian master. The art of both these unflinching realists, in its exploration of human motives, is imbued with a searching passion for truth and a poet's sensitiveness to beauty. But whereas Maupassant's mental atmosphere is clear, keen, and strong, with a touch of a hard, cold wind, Chekhov's is born of a softer, warmer, kindlier earth.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Tales of Chekhov (1917)

Olenka listened to Kukin with silent gravity, and sometimes tears came into her eyes. In the end his misfortunes touched her; she grew to love him. He was a small thin man, with a yellow face, and curls combed forward on his forehead. He spoke in a thin tenor; as he talked his mouth worked on one side, and there was always an expression of despair on his face; yet he aroused a deep and genuine affection in her. She was always fond of some one, and could not exist without loving.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Tales of Chekhov (1917)

I want to believe that in his struggle with nature the genius of man has struggled with physical love too, as with an enemy, and that, if he has not conquered it, he has at least succeeded in tangling it in a net-work of illusions of brotherhood and love; and for me, at any rate, it is no longer a simple instinct of my animal nature as with a dog or a toad, but is real love, and every embrace is spiritualised by a pure impulse of the heart and respect for the woman. In reality, a disgust for the animal instinct has been trained for ages in hundreds of generations
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature