Summary

Portrait of Arthur B. Reeve Arthur B. Reeve The Stolen War Secret — II. The Mexican Cabaret (1914)

She flashed a glance at one of the men who had been sitting in the shadow, talking with Señora Ruiz.
“He could tell you more about her than I could,” she remarked under her breath. “I never saw any one so crazy over a woman as he is over Valcour.”
“And does she care for him?” asked Kennedy.
Hattie Hawley considered for a moment.
“I don’t believe she cares for anybody,” she answered.
Source: Wikisource

Portrait of Arthur B. Reeve Arthur B. Reeve The Stolen War Secret — II. The Mexican Cabaret (1914)

There were Mexicans, Americans, English, French, Germans—all who were interested in the unhappy republic south of us, all talking in animated tones, except now and then when a mutual confidence was exchanged between some of them, all seeming to know each other, if not to be on friendly terms with one another. What was seething under the surface an outsider could not judge.
Source: Wikisource

Portrait of Arthur B. Reeve Arthur B. Reeve The Stolen War Secret — II. The Mexican Cabaret (1914)

It was not long before Kennedy and she were discussing Mexican dances and some how or other those of the south of Mexico were mentioned. The orchestra, meanwhile, had burst forth into a tango, followed by a maxixe, and many of the habitues of the cabaret were now themselves dancing.
“The Zapotecs,” remarked Kennedy, “have a number of strange dances. There is one called the Devil Dance that I have often wished to see.”
Source: Wikisource

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