Arthur Griffiths

Summary

Arthur Griffiths,  Modern French Prisons

“ Mazas as the prison of the prévenus, the receptacle of all persons accused of serious crime and detained on reasonable presumption of guilt, was intimately associated with the passing criminality of Paris for fifty years. Every Ishmaelite, charged with raising his hand against his fellows, passed through its forbidding portals to emerge once more, if fate was kind to him, or if convicted, to disappear into its inner darkness. Confinement in a trial prison is the most painful phase in the criminal’s career. He is a constant prey to sickening anxiety, or the plaything of exaggerated hope. ”
Source: Gutenberg

Arthur Griffiths,  Modern French Prisons

“ In Saint Lazare as elsewhere, the humanising influence of the child is greatly felt; the prison nursery, the babies’ yard, are bright spots of the dark picture. Everybody wants to pet them, the wildest and most intractable creature has been known to control herself and mend her ways by being entrusted with the care of a child, not necessarily her own, and even to lavish extravagant affection upon it. ”
Source: Gutenberg

Arthur Griffiths,  Modern French Prisons

“ It is a cruel process, that of postponing all knowledge of the exact day until it has arrived; although in France murderers will exhibit the most ferocious tiger-like attitude when it comes. “Dread anticipation never leaves them,” a French chaplain, l’Abbé Crozes, of the Grande Roquette, has recorded. “As the inevitable day approaches they are consumed with the liveliest fears, and are possessed with one single idea, that of escaping death.” ”
Source: Gutenberg

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