Summary

Portrait of Tighe Hopkins Tighe Hopkins The Dungeons of Old Paris

We have seen the killing of the innocent; the torment of a Queen; the tears of a Dubarry and the stoicism of a hideous Cartouche; the collapse of a Marquise de Brinvilliers under torture and the silent heroism of a Charlotte Corday on her way to the guillotine; the bold immodesty of a La Voisin on the rack and the solemn abandon of the 'last supper' of the Girondins. We have seen the worst that France could shew of wickedness and the best that it could shew of patriotism; we have seen the beginning and the end of everything that makes the history of a prison.
Source: Gutenberg

Portrait of Tighe Hopkins Tighe Hopkins The Dungeons of Old Paris

The massacre of priests was just over at the Abbaye prison; and there, and at La Force, and at the Châtelet, and the Conciergerie, in each of these prisons the strangest court—which could not be called of justice but of revenge—was hurriedly got together, and prisoner after prisoner, fetched from his cell and swiftly denounced as a "royalist plotter," was thrust out into a "howling sea" of sans-culottes and hewn to pieces under an arch of pikes and sabres. "Man after man is cut down," says Carlyle; "the sabres need sharpening, the killers refresh themselves from wine-jugs."
Source: Gutenberg

Portrait of Tighe Hopkins Tighe Hopkins The Dungeons of Old Paris

There is a little of every style in our architecture, reflecting the many ages we have witnessed. Paris and France, in all the reigns of all the Kings, have been locked in here, starved here, tortured here, and sent from here to die by hanging, by beheading, by dismembering by horses, by fire, and by the guillotine. We have found chains and a bitter portion for the victims of all the tyrannies of France,—those of the Feudal Ages, those of the Absolute Monarchy, those of the Revolution, and those of the Restoration.
Source: Gutenberg

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