Summary

Portrait of Arthur Stringer Arthur Stringer The Man Who Couldn't Sleep — VI. The Irreproachable Butler (1919)

I looked up at Van Tuyl's audible splutter of indignation.
"Excuse me," he cried, "but isn't all this getting just a little highhanded? Aren't we making things into a nice mess for ourselves? Aren't we moving just a little too fast in this game, calling out the reserves because you happen to spot a scar on my butler's wrist?"
"I tell you, Jim," I cried with all the earnestness at my command, "the man's a thief, a criminal with a criminal's record!"
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Portrait of Arthur Stringer Arthur Stringer The Man Who Couldn't Sleep — VI. The Irreproachable Butler (1919)

It would be no light matter, I began to see, to explode a bomb of dissension in that principality of almost arrogant aloofness. It would be no joke to confound that smoothly flowing routine with which urban wealth so jealously surrounds itself.
I suddenly remembered there was nothing in which I could be positive, nothing on which I could with certainty rely. And my inward disquiet was increased, if anything, by the calm and blithely contented glance Beatrice Van Tuyl leveled at me.
"And what's all this mystery about our man Wilkins?" she asked me, with the immediacy of her sex.
Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer The Man Who Couldn't Sleep — VI. The Irreproachable Butler (1919)

About the immobile and mask-like face hung that veil of impersonality which marked him as a butler—as a butler to the finger-tips. When not actually in movement he was as aloofly detached as a totem-pole. He stood as unobtrusive as a newel-post, as impassive as some shielding piece of furniture, beside which youth might whisper its weightiest secret or conspiracy weave its darkest web.
Source: Wikisource

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