Baron Alfred Tennyson Tennyson

“ Then might thy rays pass thro' to the other side,
So swiftly, that they nowhere would abide,
But lose themselves in utter emptiness.
Half-light, half-shadow, let my spirit sleep
They never learnt to love who never knew to weep. XIV
To a Lady Sleeping
O thou whose fringèd lids I gaze upon,
Through whose dim brain the wingèd dreams are born,
Unroof the shrines of clearest vision,
In honour of the silverfleckèd morn:
Long hath the white wave of the virgin light
Driven back the billow of the dreamful dark. ”

“ From cloud to cloud, and swum with balanced wings
To some tall mountain. On that day the year
First felt his youth and strength, and from his spring
Moved smiling toward his summer. On that day,
Love working shook his wings (that charged the winds
With spiced May-sweets from bound to bound) and blew
Fresh fire into the sun, and from within
Burst thro' the heated buds, and sent his soul
Into the songs of birds, and touch'd far-off
His mountain-altars, his high hills, with flame
Milder and purer. Up the rocks we wound ”

“ Liquid gold, honeysweet thro' and thro'.
Keen-eyed Sisters, singing airily,
Looking warily
Every way,
Guard the apple night and day,
Lest one from the East come and take it away.
II
Father Hesper, Father Hesper, watch, watch, ever and aye,
Looking under silver hair with a silver eye.
Father, twinkle not thy stedfast sight;
Kingdoms lapse, and climates change, and races die;
Honour comes with mystery;
Hoarded wisdom brings delight. ”

“ With which the fearful springtide flecks the lea,
Weep not, Almeida, that I said to thee
That thou hast half my heart, for bitter grief
Doth hold the other half in sovranty.
Thou art my heart's sun in love's crystalline:
Yet on both sides at once thou canst not shine:
Thine is the bright side of my heart, and thine
My heart's day, but the shadow of my heart,
Issue of its own substance, my heart's night
Thou canst not lighten even with thy light,
All powerful in beauty as thou art. ”

“ For all things are as they seem to all,
And all things flow like a stream.
Argal.—This very opinion is only true relatively to the flowing philosophers. (Tennyson's note.)
XXIV
Song
I
The lintwhite and the throstlecock
Have voices sweet and clear;
All in the bloomèd May.
They from the blosmy brere
Call to the fleeting year,
If that he would them hear
And stay.
Alas! that one so beautiful
Should have so dull an ear.
II
Fair year, fair year, thy children call,
But thou art deaf as death;
All in the bloomèd May.
When thy light perisheth
That from thee issueth,
Our life evanisheth:
Oh! stay. ”

“ That I deemed it not wholly unoriginal is my only apology for its publication—an apology lame and poor, and somewhat impertinent to boot: so that if its infirmities meet with more laughter than charity in the world, I shall not raise my voice in its defence. I am aware how deficient the Poem is in point of art, and it is not without considerable misgivings that I have ventured to publish even this fragment of it. 'Enough,' says the old proverb, 'is as good as a feast.'— (Tennyson's original introductory note.) ”

“ Sonnet
[Published in the Englishman's Magazine, August, 1831. London: Edward Moxon, 64 New Bond Street. Reprinted in Friendship's Offering: a Literary Album for 1833. London; Smith and Elder.]
Check every outflash, every ruder sally
Of thought and speech; speak low, and give up wholly
Thy spirit to mild-minded Melancholy;
This is the place. Through yonder poplar alley
Below, the blue-green river windeth slowly;
But in the middle of the sombre valley
The crispèd waters whisper musically,
And all the haunted place is dark and holy. ”

“ Man is the measure of all truth
Unto himself. All truth is change:
All men do walk in sleep, and all
Have faith in that they dream:
For all things are as they seem to all,
And all things flow like a stream. ”

“ Of their broad vans, and in the solitude
Of middle space confound them, and blow back
Their wild cries down their cavernthroats, and slake
With points of blastborne hail their heated eyne!
So their wan limbs no more might come between
The moon and the moon's reflex in the night;
Nor blot with floating shades the solar light. XVIII
Sonnet
The palid thunderstricken sigh for gain,
Down an ideal stream they ever float,
And sailing on Pactolus in a boat,
Drown soul and sense, while wistfully they strain
Weak eyes upon the glistering sands that robe
The understream. ”

“ Fill'd all with clear pure fire, thro' mine down rain'd
Their spirit-searching splendours. As a vision
Unto a haggard prisoner, iron-stay'd
In damp and dismal dungeons underground
Confined on points of faith, when strength is shock'd
With torment, and expectancy of worse
Upon the morrow, thro' the ragged walls,
All unawares before his half-shut eyes,
Comes in upon him in the dead of night,
And with th' excess of sweetness and of awe,
Makes the heart tremble, and the eyes run over
Upon his steely gyves ”

“ One rainy night, when every wind blew loud,
A woful man had thrust his wife and child
With shouts from off the bridge, and following, plunged
Into the dizzy chasm below. Below,
Sheer thro' the black-wall'd cliff the rapid brook
Shot down his inner thunders, built above
With matted bramble and the shining gloss
Of ivy-leaves, whose low-hung tresses, dipp'd
In the fierce stream, bore downward with the wave. ”

“ Gives birth to a brawling stream, that stepping lightly
Adown a natural stair of tangled roots,
Is presently received in a sweet grove
Of eglantine, a place of burial
Far lovelier than its cradle; for unseen
But taken with the sweetness of the place,
It giveth out a constant melody
That drowns the nearer echoes. Lower down
Spreads out a little lake, that, flooding, makes
Cushions of yellow sand; and from the woods
That belt it rise three dark tall cypresses;
Three cypresses, symbols of mortal woe,
That men plant over graves. ”

“ When we two meet there's never perfect light. XXX
Sonnet
[Published in the Yorkshire Literary Annual for 1832. Edited by C.F. Edgar, London: Longman and Co. Reprinted in the Athenæum, 4 May, 1867.]
There are three things that fill my heart with sighs
And steep my soul in laughter (when I view
Fair maiden forms moving like melodies) ,
Dimples, roselips, and eyes of any hue.
There are three things beneath the blessed skies
For which I live—black eyes, and brown and blue;
I hold them all most dear; but oh! black eyes,
I live and die, and only die for you. ”

“ Long enough the winedark wave our weary bark did carry.
This is lovelier and sweeter,
Men of Ithaca, this is meeter,
In the hollow rosy vale to tarry,
Like a dreamy Lotos-eater, a delirious Lotos-eater! ”

“ O fools, we want a manlike God and Godlike men!
Go, frightful omens. Yet once more I turn
To you that mould men's thoughts; I call on you
To make opinion warlike, lest we learn
A sharper lesson than we ever knew.
I hear a thunder though the skies are fair,
But shrill you, loud and long, the warning-note:
Prepare! L
[Lord Tennyson wrote, by Royal request, two stanzas which were sung as part of God Save the Queen at a State concert in connection with the Princess Royal's marriage: these were printed in the Times of January 26, 1858.] ”

“ We lord it o'er the sea;
We are the sons of freedom,
We are free.
There is no land like England,
Where'er the light of day be;
There are no wives like English wives,
So fair and chaste as they be.
There is no land like England,
Where'er the light of day be,
There are no maids like English maids,
So beautiful as they be.
Chorus.—For the French, etc.
[Sixty years after first publication this Song was incorporated in 'The Foresters' (published 1892) as the opening chorus of the second act. The two verses were unaltered, but the two choruses were re-written.] ”

“ Hesper, the dragon, and sisters three,
Daughters three,
Bound about
All round about
The gnarlèd bole of the charmèd tree,
The golden apple, the golden apple, the hallowed fruit,
Guard it well, guard it warily,
Watch it warily,
Singing airily,
Standing about the charmèd root. XXXIII
Rosalind
My Rosalind, my Rosalind,
Bold, subtle, careless Rosalind,
Is one of those who know no strife
Of inward woe or outward fear;
To whom the slope and stream of life,
The life before, the life behind,
In the ear, from far and near,
Chimeth musically clear. ”

“ The following review of 'Timbuctoo' was published in the Athenæum of 22nd July, 1829: 'We have accustomed ourselves to think, perhaps without any very good reason, that poetry was likely to perish among us for a considerable period after the great generation of poets which is now passing away. The age seems determined to contradict us, and that in the most decided manner; for it has put forth poetry by a young man, and that where we should least expect it—namely, in a prize poem. ”

“ Thro' the channel windeth far
Till it fade and fail and die,
To its Archetype that waits
Clad in light by golden gates,
Clad in light the Spirit waits
To embrace me in the sky. XLII
[On the fly-leaf of a book illustrated by Bewick, in the library of the late Lord Ravensworth, the following lines in Tennyson's autograph were discovered in 1903.] ”

“ Poems, 1833
[The poems numbered XXXI-XXXIX were published in the 1832 volume (Poems by Alfred Tennyson. London: Edward Moxon, 94 New Bond Street. MDCCCXXXIII; published December, 1832) , and were thereafter suppressed.]
XXXI
Sonnet
Oh, Beauty, passing beauty! sweetest Sweet!
How canst thou let me waste my youth in sighs;
I only ask to sit beside thy feet. ”

“ There must no man go back to bear the tale:
No man to bear it—
Swear it! We swear it!
Although we fought the banded world alone,
We swear to guard our own. XLVIII
Hands all Round
[Published in The Examiner, February 7, 1852. Reprinted, slightly altered, in Life, vol. I, p. 345. Included, almost entirely re-written, in collected Works.]
First drink a health, this solemn night,
A health to England, every guest;
That man's the best cosmopolite
Who loves his native country best.
May Freedom's oak for ever live
With stronger life from day to day ”

“ Oh! islanders of Ithaca, we will not wander more,
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the ocean, and rowing with the oar,
Oh! islanders of Ithaca, we will return no more. XXXIX
A Dream of Fair Women
[In the 1833 volume the poem opened with the following four verses, suppressed after 1842. These Fitz Gerald considered made 'a perfect poem by themselves.']
As when a man, that sails in a balloon,
Downlooking sees the solid shining ground
Stream from beneath him in the broad blue noon,
Tilth, hamlet, mead and mound ”

“ Each of these attempts was repressed by Tennyson, and at last in 1879 the complete poem, as now included in the collected Works, was issued, with an apologetic reference to the necessity of reprinting the poem to prevent its circulation in an unauthorised form. But the 1879 issue is considerably altered from the original issue of 1833, as written by Tennyson in his nineteenth year. Since only as a product of Tennyson's youth does the poem merit any attention, it has seemed good to reprint it here as originally written. ”

“ But stanzas xiii-xvi of 1837 have never been reprinted in any edition of Tennyson's works, though quoted in whole or part in various critical studies of the poet. Swinburne refers to this poem as 'the poem of deepest charm and fullest delight of pathos and melody ever written, even by Mr Tennyson.' This poem in The Tribute gained Tennyson his first notice in the Edinburgh Review, which had till then ignored him. ”

“ It was put in type and, according to custom, copies were distributed among his friends, when, on the eve of publication, he decided to omit it. Again, in 1869, it was sent to press with a new third part added, and was again withdrawn, the third part only—'The Golden Supper,' founded on a story in Boccaccio's Decameron—being published in the volume, 'The Holy Grail.' In 1866, 1870 and 1875, attempts had been made by Mr Herne Shepherd to publish editions of 'The Lover's Tale,' reprinted from stray proof copies of the 1833 printing. ”

“ Bulwer Lytton published in 1845 his satirical poem 'New Timon: a Romance of London,' in which he bitterly attacked Tennyson for the civil list pension granted the previous year, particularly referring to the poem 'O Darling Room' in the 1833 volume. Tennyson replied in the following vigorous verses, which made the literary sensation of the year. Tennyson afterwards declared: 'I never sent my lines to Punch. John Forster did. They were too bitter. I do not think that I should ever have published them.'—Life, vol. ”

“ These productions have often been ingenious and elegant but we have never before seen one of them which indicated really first-rate poetical genius, and which would have done honour to any men that ever wrote. Such, we do not hesitate to affirm, is the little work before us ”