Summary

Bernard Capes Bag and Baggage — The Corner House (1913)

There followed a crack, a ripping sound, and, to Gethin, a sudden wink of light and a jerk—nothing more. But the sensation was so instant, and so physically and mentally disintegrating, that, for the moment, he could conceive no thought of himself but as a sort of pyrotechnic bomb, which had been shot into mid-air, had burst, and was slowly dropping a multitude of coloured stars. These, as they fell, went out one by one, and, with the quenching of the last, consciousness in him ceased altogether.
Source: Wikisource

Bernard Capes Bag and Baggage — The Corner House (1913)

He was awakened suddenly—it might have been after many hours—by a consciousness of voices murmuring in his neighbourhood. Alert on the instant, he sat up, in immediate possession of his full faculties, and waited, listening. Two people, he was convinced, were talking just outside his room door—one, his landlady; the second, by his full hoarse intonation, a man. Gethin held his breath.
"My God," the deep voice was saying, as he first realised it, "I daren't do it!"
"Be a man!"
Source: Wikisource

Bernard Capes Bag and Baggage — The Corner House (1913)

He paused, and there followed a short silence.
"They vanish sometimes," said Acheson presently. "There have been authentic cases."
"Relations came forward," continued Gethin, as if he had not heard him; "I had to put my young shoulder to the wheel, and we scraped along. But it was funny."
"Was he—have you any reason——" began the librarian; but the other took him up.
"The last man in the world to commit suicide—a cheery soul, like his son; indomitable, I might call him, without conceit.
Source: Wikisource

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