Summary

Portrait of Charles Dickens Charles Dickens Little Dorrit — Book 2, Chapter 23 (1857)

Confident in the rectitude of his purpose, and impelled by a sense of overhanging danger closing in around, he resolved, if his mother would still admit of no approach, to make a desperate appeal to Affery. If she could be brought to become communicative, and to do what lay in her to break the spell of secrecy that enshrouded the house, he might shake off the paralysis of which every hour that passed over his head made him more acutely sensible.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Little Dorrit — Book 2, Chapter 23 (1857)

Is it nothing to me to see my mother’s name and residence hawked up and down in such an association?’
‘I don’t see,’ returned Mr Flintwinch, scraping his horny cheek, ‘that it need signify much to you. But I’ll tell you what I do see, Arthur,’ glancing up at the windows; ‘I see the light of fire and candle in your mother’s room!’
‘And what has that to do with it?’
‘Why, sir, I read by it,’ said Mr Flintwinch, screwing himself at him, ‘that if it’s advisable (as the proverb says it is) to let sleeping dogs lie, it’s just as advisable, perhaps, to let missing dogs lie. Let ’em be.
Source: Wikisource

Portrait of Charles Dickens Charles Dickens Little Dorrit — Book 2, Chapter 23 (1857)

What can it be to me? The whole world may know it, if they care to know it; it is nothing to me. Now, let me go.’
He yielded to her imperious but elated look, and turned her chair back to the place from which he had wheeled it. In doing so he saw elation in the face of Mr Flintwinch, which most assuredly was not inspired by Flora. This turning of his intelligence and of his whole attempt and design against himself, did even more than his mother’s fixedness and firmness to convince him that his efforts with her were idle. Nothing remained but the appeal to his old friend Affery.
Source: Wikisource

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