Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens Three Ghost Stories

Besides that there is something awful in the being surrounded by familiar faces asleep—in the knowledge that those who are dearest to us and to whom we are dearest, are profoundly unconscious of us, in an impassive state, anticipative of that mysterious condition to which we are all tending—the stopped life, the broken threads of yesterday, the deserted seat, the closed book, the unfinished but abandoned occupation, all are images of Death. The tranquillity of the hour is the tranquillity of Death. The colour and the chill have the same association.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Three Ghost Stories

It was easy to see that it was an avoided house—a house that was shunned by the village, to which my eye was guided by a church spire some half a mile off—a house that nobody would take. And the natural inference was, that it had the reputation of being a haunted house.
No period within the four-and-twenty hours of day and night is so solemn to me, as the early morning. In the summer-time, I often rise very early, and repair to my room to do a day’s work before breakfast, and I am always on those occasions deeply impressed by the stillness and solitude around me.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Three Ghost Stories

If Cook or Streaker went overhead after dark, we knew we should presently hear a bump on the ceiling; and this took place so constantly, that it was as if a fighting man were engaged to go about the house, administering a touch of his art which I believe is called The Auctioneer, to every domestic he met with.
It was in vain to do anything. It was in vain to be frightened, for the moment in one’s own person, by a real owl, and then to show the owl. It was in vain to discover, by striking an accidental discord on the piano, that Turk always howled at particular notes and combinations.
Source: Gutenberg

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