Charles Dudley Warner

Charles Dudley Warner

Summary

Portrait of Charles Dudley Warner Charles Dudley Warner Our Italy

There is no more poetic region on the continent than the bay south of Point Conception, and the pen and the camera have made the world tolerably familiar with it. There is a graciousness, a softness, a color in the sea, the cañons, the mountains there that dwell in the memory. It is capable of inspiring the same love that the Greek colonists felt for the region between the bays of Salerno and Naples. It is as fruitful as the Italian shores, and can support as dense a population. The figures that have been given as to productiveness and variety of productions apply to it.
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner Our Italy

It is a land of delicate and brilliant wild flowers, of blooming shrubs, strange in form and wonderful in color. Before the annual rains the land lies in a sort of swoon in a golden haze; the slopes and plains are bare, the hills yellow with ripe wild-oats or ashy gray with sage, the sea-breeze is weak, the air grows drier, the sun hot, the shade cool. Then one day light clouds stream up from the south-west, and there is a gentle rain. When the sun comes out again its rays are milder, the land is refreshed and brightened, and almost immediately a greenish tinge appears on plain and hill-side.
Source: Gutenberg

Portrait of Charles Dudley Warner Charles Dudley Warner Our Italy

I see everywhere the gardens, the vineyards, the orchards, with the various greens of the olive, the fig, and the orange. It is always picturesque, because the country is broken and even rugged; it is always interesting, because of the contrast with the mountains and the desert; it has the color that makes Southern Italy so poetic. It is the fairest field for the experiment of a contented community, without any poverty and without excessive wealth.
Source: Gutenberg

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