Summary

Portrait of Charles Godfrey Leland Charles Godfrey Leland A Manual of Mending and Repairing…

I go so far as to say that an exhibition of specimens showing all that can be done in mending and restoration in ceramic art, leather, carved stone, books, carved and wrought wood, castings, metal, furniture, fans, and toys, would probably serve as sufficient beginning to establish classes and a school. The objects should, when possible, be accompanied by a duplicate or photograph showing the condition they were in before restoration, on the principle of the picture-cleaners, who amaze the public with such startling contrasts of dirt and splendour.
Source: Gutenberg

Portrait of Charles Godfrey Leland Charles Godfrey Leland A Manual of Mending and Repairing…

Thus leather-work was long despised as only affording imitations of carved wood. But in the hands of a true artist—that is, of an original designer, who applies, and not a mere artisan, who imitates or copies—papier-mâché is as much a subject for art as any other material. It can be used in many ways, more or less allied to mending, as are all arts. Thus paper in fine powder, or reduced to a fine paste—or pulp—can be, with a little practice, mixed with gum and painted with a brush on a surface so as to produce relief.
Source: Gutenberg

Portrait of Charles Godfrey Leland Charles Godfrey Leland A Manual of Mending and Repairing…

As I have observed, there is in every household continual breakage of many kinds—“or of the rending which cries for mending”—it is a matter of some importance that some one in the family should pay special attention to such matters. How often have I seen very valuable objects stuck together—anyhow and clumsily—with putty, wafers, sealing-wax, glue, flour-paste, or anything which will “hold” for a time, when a perfect cure might have just as well been effected had the proper recipe been taken to the first chemist.
Source: Gutenberg

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