Summary

Portrait of Charles Turner Dazey Charles Turner Dazey The Old Flute-Player: A Romance of To-day

In this marvelous new country the old Frenchwoman had assured her women were as free as men. What would such freedom bring to her? Riches, possibly, would here reward her father for his artistry upon the flute, and luxuries surround them both, in consequence. And romance! Her heart began to flutter at mere thought of the word, and her mind, against her modest maiden will, involuntarily turned to the youth who had so splendidly sprung to their rescue from the malign Moresco. Ah, how strong, how handsome he had been as he had thrown himself upon the big Italian!
Source: Gutenberg

Portrait of Charles Turner Dazey Charles Turner Dazey The Old Flute-Player: A Romance of To-day

He had said that she must wait until he was a flute-player no longer and that when that glad time came, he would, himself, pick out for her the handsomest and bravest gentleman whom he could find and bring him to her, ready-made, to love. She knew he felt a great contempt for riches; she knew that his experience of America had far from prepossessed him in favor either of the country or the people in it. She was absolutely certain that the man whom he would choose for her would be a very different sort of person from John Vanderlyn.
Source: Gutenberg

Portrait of Charles Turner Dazey Charles Turner Dazey The Old Flute-Player: A Romance of To-day

The slavey promised, but the seed was sown. From that time on full many a small attention fell to the Herr Kreutzer and his pretty, gentle-mannered, dark-haired, big-eyed Anna of which the landlady knew nothing, and many a dream of romance did the smutted slavey's small, sad eyes see in the kitchen fire on lonely evenings while she was waiting for the last lodger to come in before she went to bed behind the kindlings-bin. And the central figures of these dreams were, always, the beautiful young German girl and her dignified, independent, shabby, courteous old father.
Source: Gutenberg

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