Robert Louis Stevenson

Robert Louis Stevenson

Summary

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Amateur Emigrant (1911)

The starboard forward gallery is the second cabin. Away abaft the engines and below the officers' cabins, to complete our survey of the vessel, there is yet a third nest of steerages, labelled 4 and 5. The second cabin, to return, is thus a modified oasis in the very heart of the steerages. Through the thin partition you can hear the steerage passengers being sick, the rattle of tin dishes as they sit at meals, the varied accents in which they converse, the crying of their children terrified by this new experience, or the clean flat smack of the parental hand in chastisement.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Amateur Emigrant (1911)

THE SICK MAN
ONE night Jones, the young O'Reilly, and myself were walking arm-in-arm and briskly up and down the deck. Six bells had rung; a head-wind blew chill and fitful, the fog was closing in with a sprinkle of rain, and the fog-whistle had been turned on, and now divided time with its unwelcome outcries, loud like a bull, thrilling and intense like a mosquito. Even the watch lay somewhere snugly out of sight.
Source: Wikisource

Portrait of Robert Louis Stevenson Robert Louis Stevenson The Amateur Emigrant (1911)

There were but few subjects on which he could not converse with understanding and a dash of wit; delivering himself slowly and with gusto, like a man who enjoyed his own sententiousness. He was a dry, quick, pertinent debater, speaking with a small voice, and swinging on his heels to launch and emphasise an argument. When he began a discussion, he could not bear to leave it off, but would pick the subject to the bone, without once relinquishing a point. An engineer by trade, Mackay believed in the unlimited perfectibility of all machines except the human machine.
Source: Wikisource

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