Chester Noyes Greenough,
The Harvard Classics Vol. 51
(1914)
“ Not less notable than his universality of thought, his compactness of style, and his swiftness and range of illustration, is Emerson's delightful benignity of tone. It would be hard to find any one whose opposition is so high minded, whose refusal is so gentle, whose good will—though perhaps never anxious—is so uniformly evident. The sweetness of Emerson's face, as we know it from his most famous portrait, is to be felt throughout his work. ”
