William Roscoe Thayer

William Roscoe Thayer

Summary

Portrait of William Roscoe Thayer William Roscoe Thayer The Harvard Classics Vol. 51 (1914)

Perhaps, however, you were led into biography through other channels. The life of Napoleon or of Cæsar, of some painter, poet, man of letters, inventor, or explorer, may have been the first to attract you; but the outcome will be the same. You will feel that you have gained a new companion, as real as your flesh-and-blood intimates, but wittier, wiser, or more picturesque than they; a friend whose latchstring is always out for you to pull; a crony who will gossip when you desire, who will never desert you nor grow cold nor yawn at your dulness, nor resent your indifference.
Source: Wikisource

Portrait of William Roscoe Thayer William Roscoe Thayer The Harvard Classics Vol. 51 (1914)

In no art has the process of vulgarization gone so far as in fiction. The novelist to-day dares not paint goodness or greatness; his upper limit is mediocrity; his lower is depravity, and he tends more and more to exploit the lower. An art which, pretending to mirror life, instinctively shuts out a large province of life—an art which boasts that it alone can display human personality in all its varieties and yet becomes dumb before the highest manifestations of personality—has no right to rank among the truly universal arts—painting and sculpture, the Elizabethan drama and biography.
Source: Wikisource

Portrait of William Roscoe Thayer William Roscoe Thayer The Harvard Classics Vol. 51 (1914)

BIOGRAPHY is the key to the best society the world has ever had. By the best society I do not mean those exclusive circles, based on wealth, privilege, or heredity, which have flourished at all times and in every place. I mean the men and women who, by the richness of their talents or the significance of their careers, or, it may be, by some special deed, have emerged from the throng. One of the strongest instincts planted in us is our aversion to bores.
Source: Wikisource

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