Arthur Conan Doyle

Arthur Conan Doyle

Summary

Portrait of Arthur Conan Doyle Arthur Conan Doyle,  Through the Magic Door — Chapter 2 (1907)

“ You see, like a flash, how the one stands for nothing, and the other for literature. From that day onwards you may return to your crudities, but at least you do so with some standard of comparison in your mind. You can never be the same as you were before. Then gradually the good thing becomes more dear to you; it builds itself up with your growing mind; it becomes a part of your better self, and so, at last, you can look, as I do now, at the old covers and love them for all that they have meant in the past. Yes, it was the olive-green line of Scott's novels which started me on to rhapsody. ”
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle,  Through the Magic Door — Chapter 2 (1907)

“ A curious glimpse into the psychology of the writer of fiction is shown by the fact that he wrote two of his books—good ones, too—at a time when his health was such that he could not afterwards remember one word of them, and listened to them when they were read to him as if he were hearing the work of another man. Apparently the simplest processes of the brain, such as ordinary memory, were in complete abeyance, and yet the very highest and most complex faculty—imagination in its supreme form—was absolutely unimpaired. ”
Source: Wikisource

Portrait of Arthur Conan Doyle Arthur Conan Doyle,  Through the Magic Door — Chapter 2 (1907)

“ Only the man who has tried to write fiction himself knows what it means when it is recorded that Scott produced two of his long novels in one single year. I remember reading in some book of reminiscences—on second thoughts it was in Lockhart himself—how the writer had lodged in some rooms in Castle Street, Edinburgh, and how he had seen all evening the silhouette of a man outlined on the blind of the opposite house. ”
Source: Wikisource

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