Archibald McKellar MacMechan

Summary

Archibald McKellar MacMechan The Cambridge History of American Literature (1917)

THE life of a village community is not seldom enriched by the inclusion of a rebel, an original who refuses obstinately to conform to type, and succeeds in following out his idea, in contrast to the humdrum routine of his fellows. When the community happens to be Concord, the picturesque and historic village where the Revolution began, the Weimar of American literature, and when the rebel happens to be an American faun, the conjunction must result in no ordinary enrichment.
Source: Wikisource

Archibald McKellar MacMechan The Cambridge History of American Literature (1917)

Thoreau’s ideal of a world of book men, or contemplatives, is a dream. Still, the experience of the ascetic always shames the grossness of the worldly wiseman. If a man can live for a year for eight dollars, we certainly spend too much on things we could do without. Thoreau’s experiment will always have its appeal to hot, ambitious spirits on their first awakening to the intricacy of life. The hero of Locksley Hall longs to escape from civilization to summer isles of Eden. At least one American man of letters has followed Thoreau’s example by going into retreat.
Source: Wikisource

Archibald McKellar MacMechan The Cambridge History of American Literature (1917)

Like the water of the pond, it is clear, colourless and wholesome. Thoreau is a careful writer, with an instinct for the right word which was developed and strengthened by a lifelong devotion to the best books. His love of the classics must have tended to purify his style and increase its natural dignity. Walden is generally free from oracular phrases and grotesque locutions like “eyes revolve in an Egyptian slime of health.” It must always retain the deep unfailing value of all autobiography, personal memoirs, “confessions.” The record of a life will never fail of an audience.
Source: Wikisource

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