Christian Carstairs

Summary

Christian Carstairs The Hubble-Shue

We are told that obscurity is one of the sources of the sublime; and who will presume to deny that this drama is not sufficiently obscure? Perhaps the most remarkable feature in it is that singular, partially intelligible mystification, which we in vain look for in other writers: thus, when Gustard enters with his sword drawn, is it possible to figure any thing more intelligible and natural than that the cat should run in beneath the bed? But, on the other hand, who was Gustard?—why was his sword drawn?—what did he want?—how came the cat there? are questions, the solution of which is not easy.
Source: Gutenberg

Christian Carstairs The Hubble-Shue

Then we have the interesting Lady Gundie, who flits across the stage without saying a word, like one of the phantom kings in Macbeth, leaving the beholder in a state of the most feverish excitement. In short, so much is left to the imagination, that the mind gets quite bewildered, and we regard with most profound veneration a drama capable of producing such extraordinary sensations.
Source: Gutenberg

Christian Carstairs The Hubble-Shue

A venerable missionary was put ashore on one of the South Sea Islands, where he was most graciously received by the king, queen, and the rest of the royal family. During the time the vessel remained, which was only a few days, this useful person was fed most luxuriously, and every attention was paid to him—the result of which was, that in a short time he became uncommonly plump.
Source: Gutenberg

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