Christian Carstairs, The Hubble-Shue
“ We are told that obscurity is one of the sources of the sublime; and who will presume to deny that this drama is not sufficiently obscure? Perhaps the most remarkable feature in it is that singular, partially intelligible mystification, which we in vain look for in other writers: thus, when Gustard enters with his sword drawn, is it possible to figure any thing more intelligible and natural than that the cat should run in beneath the bed? But, on the other hand, who was Gustard?—why was his sword drawn?—what did he want?—how came the cat there? are questions, the solution of which is not easy. ”
