Crosbie Garstin

Summary

Crosbie Garstin The Owls' House

The farm she left to Bohenna, the house to Martha, the children to look after themselves, and rode in to Penzance market and all over the hundred, to parish feasts, races and hurling matches, a notable figure with her flaming dresses, raven hair and huge earrings, laying the odds, singing songs and standing drinks in ale houses like any squire.
When John died she was at her zenith. The early bloom of her race began to fade soon after, accelerated by gross living. She still ate enormously, as though the hunger of twenty-two lean years was not yet appeased.
Source: Gutenberg

Crosbie Garstin The Owls' House

The crash of the breakers on the ledges struck terror through Ortho. They sounded like a host of ravenous great beasts roaring for their prey—him. If the boat did not settle under them they would be dashed to pieces on those rocks; death was inevitable one way or the other. He remembered the Portuguese seamen washed in from the Twelve Apostles without heads. He would be like that in a few minutes—no head—ugh!
Jacky’s George, jockeying the bows, improvising a weather cloth from a spare jib, was singing, “Hey, boys, up we go!” This levity in the jaws of destruction enraged Ortho.
Source: Gutenberg

Crosbie Garstin The Owls' House

With young blood at his back they would yet save the place. He knew Eli, once he set his face forward, would never look back; his brain was too small to hold more than one idea. He gloated over the boy’s promising shoulders, thick neck and sturdy legs. He would root out the big bowlders as his father had done, swing an ax or scythe from cock-crow to owl-light without flag, toss a sick calf across his shoulders and stride for miles, be at once the master and lover of his land, the right husbandman. But of Ortho, the black gypsy son, Bohenna was not so sure.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature