David Christie Murray

David Christie Murray

Summary

Portrait of David Christie Murray David Christie Murray Aunt Rachel

He carried his violin case tucked beneath his arm—a fact which of itself gave him an unworthy aspect in Ferdinand's eyes—and he had shaken hands with Ruth without raising his hat. A denizen of Heydon Hay who had taken off his hat in the open air to a woman would have been scoffed by his neighbors, and would probably have startled the woman herself as much as his own sense of propriety. But all the same Reuben's salute seemed mutilated and boorish to the man of more finished breeding, and helped to mark him as unworthy to be the suitor of so charming a creature as the rustic beauty.
Source: Gutenberg

Portrait of David Christie Murray David Christie Murray Aunt Rachel

Every time his eager fancy slipped the note into Ruth's fingers his heart leaped and his hands went hot and moist, but if ever the screw of courage gave a backward turn the thought of Ferdinand twisted it back to the sticking-point again, and he was all resolve once more. The experience of ages has declared that there is no better spur for the halting paces of a laggard lover than that which is supplied by jealousy. The simplest coquette that ever tortured hearts in a hay-field is aware of the fact, and needs no appeal to the experience of ages to support her.
Source: Gutenberg

Portrait of David Christie Murray David Christie Murray Aunt Rachel

And could love do so little at its most unfortunate and hapless ending? For some, maybe, but surely not for Reuben! For him, if love should die, what could there be but clouds and darkness forever and always? But the old take things tranquilly, and to the young it seems that they must always have been tranquil. Uncle Ezra a lover? A possible fancy. But Ezra loving as he loved? An impossible fancy. And even six-and-thirty looked old to Reuben's eyes, for he stood a whole decade under it.
“I will go at once,” said Ruth, so soon as she knew what was required of her.
Source: Gutenberg

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