Dorothy Speare

Summary

Dorothy Speare Dancers in the Dark

For one minute of heart’s horror Greg stood silent above the bed. Over by the door Joy watched, breath caught in midair, as the boy suddenly went on his knees beside the bed and fell to stroking her prodigal hair.
“Why—sweetheart!” he said, in a crooning voice—almost like that of a mother soothing a Bogey-terrified child—“what do you think a few little cuts on the face amount to? You couldn’t be anything but beautiful if you—tried! Your hair—it’s the most wonderful hair in the world! Your form—that in itself would make a beauty out of most girls! Your eyes, Félicie—and your—lips!”
Source: Gutenberg

Dorothy Speare Dancers in the Dark

Joy took the hint, and went to pick up her music. All the sweepingly dramatic moments of life seem to have the inglorious aftermath of picking up after oneself. It was a slow process, putting the sheets together, sorting them. When she came to a favorite, or an intriguing bit, she would sit on her feet and play on the glorified instrument that her voice had now become, and amuse herself by letting her voice go off in sky-rockets.
It was so that Jim’s ring found her—eyes a warm heliotrope, cheeks in exultant flame, as singing well always left her.
Source: Gutenberg

Dorothy Speare Dancers in the Dark

Joy welcomed everything with an eager excitement that wore her out more than the steep hours that were taken for granted by Jerry and Sarah. She had been sleeping in Foxhollow Corners all her life—storing up her energy for youth’s playtime; playtime which might never have come if her father had not taken the initiative; playtime which might never have come if somebody had not whistled ragtime on the street. If she was white and tired, she applied Sarah’s rouge with a liberal hand and drank a “prescription” of Sarah’s from the cellarette in the club-room.
Source: Gutenberg

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