Douglas Hyde

Summary

Douglas Hyde Beside the fire (1890)

Scarcely had they gathered into the rath till they all began shouting, and screaming, and talking amongst themselves; and then each one of them cried out: "My horse, and bridle, and saddle! My horse, and bridle, and saddle!" and Guleesh took courage, and called out as loudly as any of them: "My horse, and bridle, and saddle! My horse, and bridle, and saddle!" But before the word was well out of his mouth, another man cried out: "Ora! Guleesh, my boy, are you here with us again? How are you coming on with your woman? There's no use in your calling for your horse to-night.
Source: Wikisource

Douglas Hyde Beside the fire (1890)

But you are, most of you, not destined to be scholars, and so I should simply advise you—especially such of you as do not already know Irish—to leave all this alone, or rather to be content with what you can easily find in a translated shape in the columns of Hardiman, Miss Brooke, Mangan, and Sigerson." So that the man whose most earnest aspiration in life is Ireland a nation, begins by advising the youth of Ireland not to study the language of their fathers, and to read the gorgeous Gaelic poetry in such pitiful translations as Hardiman and Miss Brooke have given of a few pieces.
Source: Wikisource

Douglas Hyde Beside the fire (1890)

The musicians were at the two ends of the hall, and they playing the sweetest music that ever a man's ear heard, and there were young women and fine youths in the middle of the hall, dancing and turning, and going round so quickly and so lightly, that it put a soorawn in Guleesh's head to be looking at them. There were more there playing tricks, and more making fun and laughing, for such a feast as there was that day had not been in France for twenty years, because the old king had no children alive but only the one daughter, and she was to be married to the son of another king that night.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature