Summary

Duncan Crookes Tovey 1911 Encyclopædia Britannica, Volume 12… (1911)

Under this window a hunting-party of these rude lads raised in the early morning the cry of fire; the poet’s night-capped head appeared and was at once withdrawn. This, or little more than this, was the simple fact out of which arose the legend still current at Cambridge. The servile authorities of Peterhouse treated Gray’s complaints with scant respect, and he migrated to Pembroke College.
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Duncan Crookes Tovey 1911 Encyclopædia Britannica, Volume 12… (1911)

His favourite maxim was “to be employed is to be happy,” but he was always employed in the first instance for the satisfaction of his own soul, and to this end and no other he made himself one of the best Greek scholars at Cambridge in the interval between Bentley and Porson. His genius was receptive rather than creative, and it is to be regretted that he lacked energy to achieve that history of English poetry which he once projected, and for which he possessed far more knowledge and insight than the poet Thomas Warton, to whom he resigned the task.
Source: Wikisource

Duncan Crookes Tovey 1911 Encyclopædia Britannica, Volume 12… (1911)

Gray yields to the impulse of the Romantic movement; he has long been an admirer of ballad poetry; before he wrote “The Bard” he had begun to study Scandinavian literature, and the two “Norse Odes,” written in 1761, were in style and metrical form strangely anticipative of Coleridge and Scott. Meanwhile his Cambridge life had been vexed by the freaks of the fellow-commoners of Peterhouse, a peculiarly riotous set.
Source: Wikisource

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