E. F. Benson

E. F. Benson

Summary

Portrait of E. F. Benson E. F. Benson Lucia in London (1927)

Marcelle—Marcelle Periscope—you met him at my house, didn’t you, Aggie——”
“Why wasn’t I asked?” said Marcia.
Lucia gave a little quick smile, as at some sweet child’s interruption.
“Darling Marcia, why didn’t you propose yourself? Surely you know me well enough to do that. Yes, Marcelle, a cinema-artist. A fresh horizon, a fresh attitude toward life. So good for me: it helps me not to be narrow. Dio mio! how I pray I shall never be narrow. To be shocked, too! How shocking to be shocked. If you all had fifty lovers apiece, I should merely think it a privilege to know about them all.”
Source: Gutenberg

Portrait of E. F. Benson E. F. Benson Lucia in London (1927)

Olga raves about it. She says she’s never really happy away from it. When are you going to ask me there?”
Adele, as if you didn’t know that you weren’t always welcome,” said Lucia.
“Me, too,” said Marcia.
“A standing invitation to both of you always,” said Lucia. “Dear Marcia, how sweet of you to want to come! I go there on Tuesday, and there I remain. But it’s true, I do adore it. No balls, no parties, and such dear Arcadians. You couldn’t believe in them without seeing them. Life at its very simplest, dears.”
“It can’t be simpler than Scotland,” said Marcia.
Source: Gutenberg

Portrait of E. F. Benson E. F. Benson Lucia in London (1927)

Lucia already had the biggest house in Riseholme and the most Elizabethan decor, and a motor, and as many new clothes as she chose. She did not spend much on them because her lofty mind despised clothes, but Georgie permitted himself to indulge cynical reflections that the pearls might make her dressier. Then she already entertained as much as she felt disposed; and more money would not make her wish to give more dinners. And she went up to London whenever there was anything in the way of pictures or plays or music which she felt held the seed of culture.
Source: Gutenberg

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