E. F. Benson

E. F. Benson

The Cat (1912)

Summary

Portrait of E. F. Benson E. F. Benson,  The Cat (1912)

“ For he was going, so to speak, to realise his creation: every purple star of clematis, every green leaf and piece of trellis-work that he put in, would cause what he had painted to live and shine, just as it is the layers of dusk that fall over the sky at evening which make the stars to sparkle there, jewel-like. His scheme was assured, he had hung his constellation—the figure of Lady Madingley—in the sky: and now he had to surround it with the green and purple night, so that it might shine. ”
Source: Wikisource

Portrait of E. F. Benson E. F. Benson,  The Cat (1912)

“ But the legacy it had left on the canvas could not vanish thus, it was his own, a possession, an achievement. Truly this was to be a portrait which would altogether out-distance all he had ever done before. A woman, real, alive, wearing her soul in her eyes, should stand there, and summer riot round her.
An extraordinary clearness of vision was his all day, and towards sunset an empty whisky-bottle.
”
Source: Wikisource

Portrait of E. F. Benson E. F. Benson,  The Cat (1912)

“ Merwick got up.
"But is it possible that you don't see what a terrible risk you run?" he asked. "To see her again, to be with her like that, having to look at her—I saw her this afternoon, by the way, hardly human—may not that so easily revive again all that you felt before? It is too dangerous: much too dangerous."
Dick shook his head.
"There is not the slightest risk," he said; "everything within me is utterly and absolutely indifferent to her. I don't even hate her: if I hated her there might be a possibility of my again loving her.
”
Source: Wikisource

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