Neith Boyce,
The Portrait of a Singer
(1895)
“ Despite her years and the stoutness which the lines of her well-cut gown did not succeed in concealing, she still possessed a certain attraction—the charm of a woman secure of herself, accustomed to please. Kenyon withdrew his eyes from her with an effort due less to this charm than to the faint-floating ghost of a recollection which teased him with its persistent intangibility. He dragged out from behind the Moorish screen a large canvas, and with some difficulty, due to its unwieldly size, got it across the room and put it into the gilt frame destined for it when complete. ”
