Neith Boyce

Neith Boyce

Summary

Portrait of Neith Boyce Neith Boyce,  The Portrait of a Singer (1895)

“ Despite her years and the stoutness which the lines of her well-cut gown did not succeed in concealing, she still possessed a certain attraction—the charm of a woman secure of herself, accustomed to please.
Kenyon withdrew his eyes from her with an effort due less to this charm than to the faint-floating ghost of a recollection which teased him with its persistent intangibility. He dragged out from behind the Moorish screen a large canvas, and with some difficulty, due to its unwieldly size, got it across the room and put it into the gilt frame destined for it when complete.
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Source: Wikisource

Portrait of Neith Boyce Neith Boyce,  The Portrait of a Singer (1895)

“ His relatives are poor people in Germany—and, in short, the portrait remains with me."
"Is it for sale?—but why do I ask that? Mr. Kenyon, what I want is a small copy of that picture. Will you make it for me?"
Kenyon hesitated a few moments, looking curiously at his visitor. Her request had suggested to him an odd train of ideas. Across these suddenly flashed into his mind the remembrance of a face like and unlike this matronly, double-chinned, coarse-fleshed countenance—a young face, with the same glancing eyes and narrow brow, but full of life, color.
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Source: Wikisource

Portrait of Neith Boyce Neith Boyce,  The Portrait of a Singer (1895)

“ Her long black eyes, which, with the straight brows and narrow forehead, were now the sole charm of her face, left Kenyon's and roved restlessly over the pale-toned walls, lined half-way up with canvases framed and unframed, in all stages of evolution. Other canvases were stacked at the back of the studio, partly concealed by a large screen of Moorish fretwork, over which had been thrown a heap of gauzy orange-colored draperies, and the black eyes rested on these. ”
Source: Wikisource

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