Summary

Portrait of E. F. Benson E. F. Benson The House of Defence v. 1

Sometimes Nature had made an error of judgment, as anyone seeing the family portraits must feel, in investing the beauty of a generation in a boy instead of a girl; but in this instance she had made no such mistake, and here in the window, waiting for her brother, was the bank in which the physical fortunes of the family were, for this generation, invested. Like them all, Maud was tall, and charm in her had not been sacrificed to perfection of feature. For violet eyes, rare in themselves, are so often no more than violet eyes, just pieces of exquisite colour.
Source: Gutenberg

Portrait of E. F. Benson E. F. Benson The House of Defence v. 1

There was still five minutes before the carriage came, and Lady Thurso, “while the bread was yet in her mouth,” hurried out to see if Mr. Hopkinson had at length grasped the nature of her scheme. It appeared that he had. The staircase was a country lane, just as she had visualised it. And, somehow, with the adaptability that was as natural to her as is the sympathetic change of colour in a chameleon, as she stood below a clump of flowering hawthorn, she looked, for all her air of the world and patrician aspect, like some exquisite milkmaid, the embodiment of Queen Elizabeth’s ideal.
Source: Gutenberg

Portrait of E. F. Benson E. F. Benson The House of Defence v. 1

It is your faith in the Infinite Love that makes you well.”
Cochrane turned to the bed again, and spoke in a voice so tender and strong that Maud felt a sudden lump rise in her throat.
“Why, Sandie,” he said, “your faith is spreading round you like calm waters, and Infinite Love shines through it like the sun at noonday. Faith is streaming from you, and the same knowledge streams from us all—Lady Maud and me. And the streams are joining, and rushing in spate together over what was a dry and barren hillside. Listen to the voice of them, shouting their praise to the Lord.
Source: Gutenberg

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