Summary

Portrait of E. M. Forster E. M. Forster,  Alexandria: A History and a Guide

“ At war with England, he saw himself gaining at England’s expense an Oriental realm and reviving the power of Alexander the Great. In him, as in Mark Antony, Alexandria nourished imperial dreams. The expedition failed but its memory remained with him: he had touched the East, the nursery of kings.
Leaving Alexandria at once, he marched on Cairo and won the battle of the Pyramids. Then an irreparable disaster befel him. He had left his admiral, Brueys, with instructions to dispose the fleet as safely as possible, since Nelson was known to be in pursuit.
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Source: Gutenberg

Portrait of E. M. Forster E. M. Forster,  Alexandria: A History and a Guide

“ Cleopatra is of course a meaner figure than Alexander the Great. Ambition with her is purely selfish; with Alexander it was mystically connected with the welfare of mankind. She knows nothing beyond the body and so shrinks from discomfort and pain: Alexander attained the strength of the hero. Yet for all their differences, the man who created and the woman who lost Alexandria have one element in common: monumental greatness; and between them is suspended, like a rare and fragile chain, the dynasty of the Ptolemies. ”
Source: Gutenberg

Portrait of E. M. Forster E. M. Forster,  Alexandria: A History and a Guide

“ The Catacombs of Kom es Chogafa (“Hill of Tiles”) are the most important in the city and unique anywhere: nothing quite like them has been discovered. They are unique both for their plan and for their decorations which so curiously blend classical and Egyptian designs; only in Alexandria could such a blend occur. Their size, their picturesque vistas, their eerie sculptures, are most impressive, especially on a first visit. Afterwards their spell fades for they are odd rather than beautiful, and they express religiosity rather than religion. ”
Source: Gutenberg

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