Summary

Portrait of Robert Curzon Robert Curzon Visits to Monasteries in the Levant

How anything except a bird was to arrive at one which we saw in the distance on a pinnacle of rock was more than we could divine; but the mystery was soon solved. Winding our way upwards, among a labyrinth of smaller rocks and cliffs, by a romantic path which, afforded us from time to time beautiful views of the green vale below us, we at length found ourselves on an elevated platform of rock, which I may compare to the flat roof of a church; while the monastery of Barlaam stood perpendicularly, above us, on the top of a much higher rock, like the tower of this church.
Source: Gutenberg

Portrait of Robert Curzon Robert Curzon Visits to Monasteries in the Levant

The Greek church, debased as it is by ignorance and superstition, has still the merit of carefully preserving and restoring all the memorials of its earlier and purer ages. If the fresco painting of a saint is rubbed out or damaged in the lapse of time, it is scrupulously repainted, exactly as it was before, even to the colour of the robe, the aspect of the countenance, and the minutest accessories of the composition. It is this systematic respect for everything which is old and venerable which renders the interior of the ancient Eastern churches so peculiarly interesting.
Source: Gutenberg

Portrait of Robert Curzon Robert Curzon Visits to Monasteries in the Levant

The arches of the great aqueduct of Saladin were occupied by parties of ladies; and long lines of women in their black veils sat like a huge flock of crows upon the parapets above. They all waved their handkerchiefs and lifted up their voices in a strange shrill scream as the torrent increased in force; and soon, carrying everything before it, it entirely washed away the embankment, and the water in the canal rose to the level of the Nile.
Source: Gutenberg

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