Summary

Portrait of Thomas Wallace Knox Thomas Wallace Knox The Story Teller of the Desert…

The road is pleasant and picturesque, and leads gently upward beyond a village that lies between the hill and the city. An hour’s ride brings one to a point where the whole plain is spread out like a map at the spectator’s feet.
Embowered in gardens and tinted by the lights that varied every moment, Damascus looked to us as much like an earthly paradise as anything in the Orient. Away to the east was the range of Anti-Lebanon; to the north was the plain, with a strip of desert, and to the south the plain stretched away and broke into the hills in the distance.
Source: Gutenberg

Portrait of Thomas Wallace Knox Thomas Wallace Knox The Story Teller of the Desert…

Beyond Damascus is the desert, without water or verdure; all around, east, west, north, and south, the country is rugged, and more or less barren.
The traveller from Bagdad, from Mecca, from Aleppo, and from other points, has wandered over treeless wastes, where rock and sand are the only objects to greet his eye, and the only water to quench his thirst is the hot and brackish liquid carried in goat skins at his saddle bow. After long and weary days he arrives at Damascus, embowered in gardens, and at every step through her streets he sees a fountain.
Source: Gutenberg

Portrait of Thomas Wallace Knox Thomas Wallace Knox The Story Teller of the Desert…

The plain of Esdraelon is before us, or rather below us, and we can contemplate its undulations, its stipples of villages, its dark dots of trees, its ravines and its bright verdure—if the season is propitious—as we contemplate from our easy chair the figures upon our carpet. On the East we see the valley of the Jordan and the mountains of Gilead, rising like a long and rugged wall from the deep clift where the river flows. Hermon and the range of Lebanon fill the north and the ruin-crowned summit of Safed—the holy mount of the Jews where was “the city set upon the hill,” is full before us.
Source: Gutenberg

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