Summary

Portrait of E. W. Hornung E. W. Hornung Witching Hill — The House with Red Blinds (1913)

The full moon made smouldering panels of the French window leading into the garden, but little or no light filtered through the long red blind. Delavoye went round to it on tiptoe, and I still say it was a natural instinct that kept our voices down and our movements stealthy; that any other empty house, where we had no business at dead of night, would have had the same effect upon us. Delavoye speaks differently for himself; and I certainly heard him fumbling unduly for the blind-cord while I went over to the gas-stove.
Source: Wikisource

Portrait of E. W. Hornung E. W. Hornung Witching Hill — The House with Red Blinds (1913)

It was delightful to watch a powerful mind clearing wire entanglements of detail in its leap to a picturesque conclusion; and we had further displays for our benefit; for there was no up-train for an hour and more, and that set the inventor off upon his wonderful bicycle, which was to accumulate hill power by getting wound up automatically on the level. Nothing is so foolish as the folly of genius, and I shall never forget that great man's obstinate defence of his one supreme fiasco, or the diagram that he drew on an unpapered wall while Uvo Delavoye and I attended with insincere solemnity.
Source: Wikisource

Portrait of E. W. Hornung E. W. Hornung Witching Hill — The House with Red Blinds (1913)

Certainly I never thought of a sinister explanation until Uvo Delavoye put one into my head, and then I had no patience with him.
"It's this heat," I declared; "it's hot enough to uproot anybody."
"I wonder," said he, "how many other places they've found too hot for them!"
"But why should you wonder any such rot, when you say yourself that you've never even nodded to Abercromby Royle?"
"Because I've had my eye on him all the same, Gillon, as obvious material for the evil genius of the place."
Source: Wikisource

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