Summary

Portrait of E. W. Hornung E. W. Hornung Witching Hill — Unhallowed Ground (1913)

But I held up my hand: the nightingale was singing in the wood exactly as when we plunged below the earth. Somehow it brought us together again, and there we stood listening till a clock struck twelve in the distant village.
"'’Tis now the very witching time of night,'" said Uvo Delavoye, "'when church-yards yawn'—like our back garden!" I might have guessed his favourite play, but his face lit up before my memory. "And shall I tell you, Gillon, the real name of this whole infernal Hill and Estate? It's Witching Hill, my man, it's Witching Hill from this night forth!"
Source: Wikisource

Portrait of E. W. Hornung E. W. Hornung Witching Hill — Unhallowed Ground (1913)

And I had hardly been a minute by myself when I struck indubitable wood at the depth of three or four feet. Decayed wood it was, too, which the first thrust of the spade crushed in; and at that I must say the perspiration cooled upon my skin. But I stood up and was a little comforted by the gay blue sky and the bottle-green horse-chestnuts, if I looked rather longer at the French window through which Delavoye had disappeared.
Source: Wikisource

Portrait of E. W. Hornung E. W. Hornung Witching Hill — Unhallowed Ground (1913)

But the panel that opened inwards was not our panel at all; instead of our earthy tunnel, we looked into a shallow cupboard, with a little old dirty bundle lying alone in the dust of ages. Delavoye picked it up gingerly, but at once I saw him weighing his handful in surprise, and with one accord we sat down to examine it, sticking our candles on the floor between us in their own grease.
Source: Wikisource

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