Earl Derr Biggers

Earl Derr Biggers

Summary

Portrait of Earl Derr Biggers Earl Derr Biggers Moonlight at the Crossroads (1927)

She and Wayne strolled down the deck.
“Beautiful—for the children,” said Wayne. “But for me——”
“Nonsense! You're a mere boy.”
“I'm forty-five, Nellie.”
Think of me. I'm seventy-two—seventy-two, and sailing off into the moonlight—the Hawaiian moonlight they say's so dangerous. Oh, well, I've had my fun. And now I'm safe—secure—for another year at least. That's something at my age. Bless you, it's everything!”
“It's something, even at forty-five,” Wayne agreed. They stopped by the starboard rail. Through a long silence they watched the waves moving restlessly in the white path of the moon.
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers Moonlight at the Crossroads (1927)

At eight that night Wayne came upon Nellie Fortesque, seated beside Tom Mixell and the girl in the shadow of a lifeboat on the after deck.
“Come and join us,” said the old lady. “It's night, and the moon is shining, and we're all in love. We're planning our future. It's wonderful. We're all going to be married in Sydney—at least, these children are. We're going to save our money and go back with full pockets and take London by storm. How does it sound to you?
Wayne smiled ruefully. “Sounds beautiful—for the children. You come away now, Nellie. They want to be alone.”
Source: Wikisource

Portrait of Earl Derr Biggers Earl Derr Biggers Moonlight at the Crossroads (1927)

For a long moment their eyes met. Sibyl Clay was a great general, but she knew when her campaign was lost. She dropped into the chair.
“Now let's talk this over quietly,” Maynard said. “I can understand how you feel Wayne, old man. Naturally, in the moment of meeting this chap—of recognizing him, I mean—you lost your head. But you must calm down. I like you; you're a good fellow, and if you take the law into your own hands like this, you know the end. Your whole life wrecked, and what will you have accomplished?”
Source: Wikisource

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