Hawaiian

Definition and stakes

Portrait of Nathaniel Bright Emerson Nathaniel Bright Emerson,  Unwritten Literature of Hawaii…

“ The hall-mark of Hawaiian music is rhythm, for the Hawaiians belong to that class of people who can not move hand or foot or perform any action except they do it rhythmically. Not alone in poetry and music and the dance do we find this recurring accent of pleasure, but in every action of life it seems to enter as a timekeeper and regulator, whether it be the movement of a fingerful of poi to the mouth or the swing of a kahili through the incense-laden air at the burial of a chief. ”
Source: Gutenberg

Portrait of Charmian London Charmian London,  Our Hawaii (1917)

“ The passengers on the running boards made merry way for the haole wahine, while a beaming Hawaiian, a gentleman if ever was one, gave me his seat, raising a garlanded hat. The people made a kaleidoscope of color—white women in evening gowns and fluffy wraps, laughing Hawaiian and hapahaole girls in gaudy holokus and woolly crocheted “fascinators,” the native men sporting brilliant leis of fresh flowers, the most characteristic being the ilima, which, strung on thread, forms an orange-hued inch-rope greatly affected for neck garlands and hat bands. ”
Source: Gutenberg

Portrait of Charmian London Charmian London,  Our Hawaii (1917)

“ On and on they sang, the melting Hawaiian airs, charming “Ua Like No a Like,” and “Dargie Hula,” “Mauna Kea” beloved of Jack, and his more than favorite, Kalakaua’s “Sweet Lei Lehua,” with tripping, ripping hula harmonies unnumbered. At the end of an hour bewitched, to Mr. McVeigh’s low “Good night, boys,” their last Queen’s “Aloha Oe,” with its fadeless “Love to You,” that has helped to make Hawaii the Heart-Home of countless lovers the world over, laid the uttermost touch of eloquence upon the strange occasion. ”
Source: Gutenberg

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