Nathaniel Bright Emerson,
Unwritten Literature of Hawaii…
“ If the action of the play runs strong and stirs the emotions, each hoopa’a lifts his ipu wildly, fiercely smites it, then drops it on the padded rest in such manner as to bring out its deep mysterious tone.At a signal from the kumu, who sits with the hoopa’a, the poo-pua’a, leader of the olapa, calls the mele (kahea i ka mele) —that is, he begins its recitation—in a tone differing but little from that of ordinary conversation, a sing-song recitation, a vocalization less stilted and less punctilious than that usually employed in the utterance of the oli or mele. ”
