Summary

Portrait of Edgar Allan Poe Edgar Allan Poe Tales of the Grotesque and Arabesque (1840)

He is one of the very few American writers who blend philosophy common sense, humor and poetry smoothly together... He lays his hand upon the wild steeds of his imagination, and they plunge furiously through storm and tempest, or foam along through the rattling thunder-cloud; or, at his bidding, they glide swiftly and noiselessly along the quiet and dreamy lake, or among the whispering bowers of thought and feeling...There are few writers in this country — take Neal, Irving, and Willis away, and we would say none — who can compete successfully in many respects with Poe.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Tales of the Grotesque and Arabesque (1840)

Poe possesses an extraordinary faculty. He paints the palpable obscure with strange power, throwing over his pictures a sombre gloom which is appalling. The images are dim, but distinct; shadowy but well-defined. The outline indeed is all we see; but there they stand, shrouded in darkness, and fright us with the mystery which defies farther scrutiny... His genius, as well as private history, puts us in mind of that of Coleridge.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Tales of the Grotesque and Arabesque (1840)

He discovers a superior capacity and a highly cultivated taste... A gentleman of fine endowments, possessing a taste classical and refined, an imagination affluent and splendid, and withal a singular capacity for minute and mathematical detail... We always predicted that he would reach a high grade in American literature... "Morella" will unquestionably prove that Mr. Poe has great powers of imagination, and a command of language never surpassed. We doubt if anything in the same style can be cited which contains more terrific beauty than this tale.
Source: Wikisource

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