Summary

Portrait of Edgar Allan Poe Edgar Allan Poe The Works of Edgar Allan Poe — Volume 4

Is it not, indeed, possible that while a high order of genius is necessarily ambitious, the highest is invariably above that which is termed ambition? And may it not thus happen that many far greater than Milton, have contentedly remained “mute and inglorious?” I believe the world has never yet seen, and that, unless through some series of accidents goading the noblest order of mind into distasteful exertion, the world will never behold, that full extent of triumphant execution, in the richer productions of Art, of which the human nature is absolutely capable.
Source: Gutenberg

Portrait of Edgar Allan Poe Edgar Allan Poe The Works of Edgar Allan Poe — Volume 4

There has been long a saying among the wisest inhabitants, that “no good can come from over the hills”; and it really seemed that the words had in them something of the spirit of prophecy. It wanted five minutes of noon, on the day before yesterday, when there appeared a very odd-looking object on the summit of the ridge of the eastward. Such an occurrence, of course, attracted universal attention, and every little old gentleman who sat in a leather-bottomed arm-chair turned one of his eyes with a stare of dismay upon the phenomenon, still keeping the other upon the clock in the steeple.
Source: Gutenberg

Portrait of Edgar Allan Poe Edgar Allan Poe The Works of Edgar Allan Poe — Volume 4

Now it was that, in twilight, we discoursed of the days to come, when the Art-scarred surface of the Earth, having undergone that purification {*3} which alone could efface its rectangular obscenities, should clothe itself anew in the verdure and the mountain-slopes and the smiling waters of Paradise, and be rendered at length a fit dwelling-place for man:—for man the Death purged—for man to whose now exalted intellect there should be poison in knowledge no more—for the redeemed, regenerated, blissful, and now immortal, but still for the material, man.
Source: Gutenberg

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