Summary

Edgar M. Howell Hermann Stieffel, Soldier Artist of the West

The artist, as did most observers of the period, has patently overestimated the number of Indians who must have carried firearms in the attack. Fully 50 percent or more of the Indians are pictured as so armed, a point which—understandable as it may be in the case of an observer participating in what may well have been his first Indian fight—is not borne out by the record.
Source: Gutenberg

Edgar M. Howell Hermann Stieffel, Soldier Artist of the West

But after the Civil War an army career in the ranks held little glamor for the average young man and recruiting officers were hard put to keep the ranks even partially filled, too often being forced to take what they could get. The most plausible explanation is that since every unit in the Army, then as today, was constantly called on for extra-duty men, the company first sergeant just as constantly selected the apparently agreeable Stieffel as the person whose absence was least likely to weaken the combat readiness of the company.
Source: Gutenberg

Edgar M. Howell Hermann Stieffel, Soldier Artist of the West

Upon its arrival at Fort Harker following the action of September 23, Company K had been assigned as escort for the commissioners, thus Stieffel's presence at Council Grove. It was a colorful gathering, with some 5,000 Indians on hand. First came a series of speeches. Then the treaty was drawn up and explained to the Indians. They were to retire to assigned reservations, cease attacking the whites, and permit railroads to be built across the plains.
Source: Gutenberg

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