by Howard Phillips LovecraftGhostwritten for Zealia Bishop

Summary

by Howard Phillips LovecraftGhostwritten for Zealia Bishop The Mound — Part I (1929-1930)

It was, after all, quite easy to avoid the hill; for space was unlimited in every direction, and community life always follows beaten trails. The mound side of the village was simply kept trailless, as if it had been water or swampland or desert. And it is a curious commentary on the stolidity and imaginative sterility of the human animal that the whispers with which children and strangers were warned away from the mound quickly sank once more into the flat tale of a murderous Indian ghost and his squaw victim.
Source: Wikisource

by Howard Phillips LovecraftGhostwritten for Zealia Bishop The Mound — Part I (1929-1930)

It was in Oklahoma, where my work as an American Indian ethnologist constantly takes me and where I had come upon some devilishly strange and disconcerting matters before. Make no mistake—Oklahoma is a lot more than a mere pioneers’ and promoters’ frontier. There are old, old tribes with old, old memories there; and when the tom-toms beat ceaselessly over brooding plains in the autumn the spirits of men are brought dangerously close to primal, whispered things.
Source: Wikisource

by Howard Phillips LovecraftGhostwritten for Zealia Bishop The Mound — Part I (1929-1930)

From 1919 to 1920, however, there was a veritable epidemic of mound-visiting among the prematurely hardened young veterans—an epidemic that waxed as one youth after another returned unhurt and contemptuous. By 1920—so short is human memory—the mound was almost a joke; and the tame story of the murdered squaw began to displace darker whispers on everybody’s tongues. Then two reckless young brothers—the especially unimaginative and hard-boiled Clay boys—decided to go and dig up the buried squaw and the gold for which the old Indian had murdered her.
Source: Wikisource

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