Edgar Thurston

“ The girl who can shin up a lofty tree, and bring him down fruit to eat is the acme of feminine perfection. ‘Ah, my sweet monkey girl,’ said a demoralised Chenchu, who was too idle to climb up a tree himself, ‘she has been climbing trees all day, and throwing me fruit. There is not a man in the forest who can climb like my monkey girl.’ The Chenchus are wisely employed by the authorities as road-police or Taliāris, to prevent highway dacoities. ”

“ Gradually the man becomes calmer, and addresses those around him as if he were the goddess, saying, “Oh! children. I have come down on my car, which is decorated with mango flowers, margosa and jasmine. You need fear nothing so long as I exist, and you worship me. This country will be prosperous, and the people will continue to be happy. Ere long my precious car, immersed in the tank (pond) on the hill, will be taken out, and after that the country will become more prosperous,” and so on. Questions are generally put to the inspired man, not directly, but through his wife. ”

“ The Donga Dāsaris start on their thieving raids with their whole family, wife and children following. They are the great experts in house-breaking and theft, and children are taught thieving by their mothers when they are five or six years old. The mother takes her boy or girl to the nearest market, and shows the child some cloth or vessel, and asks it to bring it away. When it fails, it is thrashed, and, when stroke upon stroke falls upon its back, the only reply it is taught to give is that it knows nothing. ”

“ The daughters of the caste, who are brought up to follow the caste profession, are carefully taught dancing, singing, the art of dressing well, and the ars amoris, and their success in keeping up their clientele is largely due to the contrast which they thus present to the ordinary Hindu housewife, whose ideas are bounded by the day’s dinner and the babies. The dancing-girl castes, and their allies the Mēlakkārans, are now practically the sole repository of Indian music, the system of which is probably one of the oldest in the world. ”

“ The birth of male children is not made an occasion for rejoicing, and, as the proverb goes, the lamp on these occasions is only dimly lighted. Inheritance is in the female line, and women are the absolute owners of all property earned. When a dancing-girl dies, some paddy and five fanams are given from the temple to which she was attached, to defray the funeral expenses. The temple priest gives a garland, and a quantity of ashes for decorating the corpse. ”

“ The marriage ceremony, as described to me, is a very simple affair. A feast is held, at which a sheep is killed, and the guests make a present of a few annas to the bridegroom, who ties up the money in a cloth, and, going to the bride’s hut, conducts her to her future home. Widows are permitted to marry again.
When an Irula dies, two Kurumbas come to the village, and one shaves the head of the other. The shorn man is fed, and presented with a cloth, which he wraps round his head. This quaint ceremonial is supposed, in some way, to bring good luck to the departed. ”

“ According to a good custom among these people, a Gadaba maiden must learn to weave her cloths before she becomes eligible for marriage. And no Gadaba ever thinks of marrying a wife who cannot prepare her own cloths. Men can use cotton and other cloths, whereas women cannot do so, for they are under the curse of Sīta. But the passion for fineries in woman is naturally so strong that the modern Gadaba woman is now taking the liberty of putting cotton thread for the woof and ankudu fibre for the warp, and thus is able to turn out a more comfortable and finer cloth. ”

“ No bride-price is paid, but a sum of not less than Rs. 140 has to be paid to the bridegroom. This is owing to the fact that, in an Ilayatu family, as among the Nambūtiris, only the eldest son can lead a married life. All male members of a family, except the eldest, take to themselves some Nāyar or Ambalavāsi woman. Widows do not remove their tuft of hair on the death of their husband, but throw their marriage ornament on to the funeral pyre, probably as a symbol of the performance of sati. The Ilayatus resemble the Nambūtiris in all questions of inheritance. ”

“ Jōgi.—The Jōgis, who are a caste of Telugu mendicants, are summed up by Mr. H. A. Stuart61 as being “like the Dāsaris, itinerant jugglers and beggars. They are divided into those who sell beads, and those who keep pigs. They are dexterous snake-charmers, and pretend to a profound knowledge of charms and medicine. They are very filthy in their habits. They have no restrictions regarding food, may eat in the house of any Sūdra, and allow widows to live in concubinage, only exacting a small money penalty, and prohibiting her from washing herself with turmeric-water.” ”

“ The pūjāri now dresses in a red cloth, with tinsel border, like a Brāhman, takes the dancing-club in hand, and dances before the demon. Cocks are sacrificed, water being first poured upon the head; when the bird shakes itself, the head is cut off, and the blood poured round the temple. Rice is boiled in one of the sheds in a new pot, and taken home with the fowls by the people for a feast in the house. At Mayanādu, the Bhagavathi of the small temple belonging to the Ilavars is regarded as the sister of the one worshipped in the larger temple used by the Sūdras, and served by a Brāhman priest ”

“ Sometimes a wealthy Native bears the expense, makes large presents to the bride, and receives her first favours. Where no such opportunity offers itself, a sword or other weapon represents the bridegroom, and an imaginary nuptial ceremony is performed. Should the Bōgam woman have no daughter, she invariably adopts one, usually paying a price for her, the Kaikōla (weaver) caste being the ordinary one from which to take a child.
Among the Kaikōlan musicians of Coimbatore, at least one girl in every family should be set apart for the temple service, and she is instructed in music and dancing. ”

“ Adult marriage is the rule. The betrothal ceremony, at which the kanyo mūlo, or bride-price, is paid, is the occasion of a feast, at which pork must be served, and the Bissoyi of the future bride’s village ties a konti (gold or silver bead) on her neck. The marriage ceremonial corresponds in [320] the main with that of the Haddis elsewhere, but has been to some extent modified by the Telugu environment. The custom, referred to by Mr. S. P. Rice, of suspending an earthen pot filled with water from the marriage booth is a very general one, and not peculiar to the Ghāsis. ”

“ There is a tradition that a Jōgi bridegroom, before tying the bottu (marriage badge) on his bride’s neck, had to tie it by means of a string dyed with turmeric round the neck of a female cat. People sometimes object to the catching of cats by Jōgis for food, as the detachment of a single hair from the body of a cat is considered a heinous offence. To overcome the objection, the Jōgi says that he wants the animal for a marriage ceremony. ”

“ The ultraconservative spirit of Hindu priestcraft casts into the far distance the realization of the hope that the lower castes will become socially equal even with the classes usually termed Sūdrās. But the time is looming in the near distance, in which they will be on a level in temporal prosperity with the social organisms above them. Unlike the land tenures said to prevail in Chingleput or Madras, the Mysore system fully permits the Holeyas and Mādigs to hold land in their own right, and as sub-tenants they are to be found almost everywhere. ”

“ Some besmear their bodies with ashes, wear their hair dishevelled and uncombed, and in some instances coiled round the head like a snake or rope. They roam about the country in every direction, visiting especially spots [299] of reputed sanctity, and as a class are the pests of society and incorrigible rogues. ”

“ The women of the caste are said to be depraved, and prostitution is common. As a proof of chastity, the ordeal of drinking a potful of cow-dung water or chilly-water has to be undergone. If a man, proved guilty of [497] adultery, pleads inability to pay the fine, he has to walk a furlong with a mill-stone on his head.
At the betrothal ceremony, a small sum of money and a pig are given to the bride’s party. The pig is killed, and a feast held, with much consumption of liquor. Some of the features of the marriage ceremony are worthy of notice. ”

“ If a young woman becomes pregnant before marriage, her lover, should he be a Pulaya, is compelled to marry her, as otherwise she would be placed under a ban. If both are married, the lover is well thrashed, and fined. The woman is taken before a Thandan (Izhuva headman) , who, after enquiry, gives her the water of a tender cocoanut, which she is asked to drink, when she is believed to be freed from the sin. Her husband may take her back again as his wife, or she is at liberty to marry another. The Thandan gets a few annas, betel leaves and areca nuts, and tobacco. ”

“ The Valluvan, or caste priest, leads the assembled group to the vicinity of the banyan tree in front of the temple, and offerings of a diverse nature, such as paddy, roots, plantain fruits, game, pulse, coins, and golden threads are most devoutly made. Pulayas assemble for this ceremony from comparatively distant places. A deity, who is believed to be the most important object of worship among the Pulayas, is Utaya [88] Tampuran, by which name they designate the rising sun. Exorcism and spirit-dancing are deeply believed in, and credited with great remedial virtues. ”

“ Before settling the marriage of a girl, some village goddess, or Chaudēswari, is consulted, and the omens are watched. A lizard chirping on the right is a good omen, and on the left bad. Sometimes, red and white flowers, wrapped up in green leaves, are thrown in front of the idol, and the omen considered good or bad according to the flower which a boy or girl picks up. At the marriage ceremony which commences with distribution of pān-supāri (betel) and Vignēswara worship, the bride is presented with a new cloth, and sits on a three-legged stool or cloth-roller (dhonige) . ”

“ A Basavi, indeed, from the fact that she can never be a widow, is a most welcome guest at weddings. Basavis differ from the ordinary dancing-girls dedicated at temples in that their duties in the temples (which are confined to the shrine of their dedication) are almost nominal, and that they do not prostitute themselves promiscuously for hire. A Basavi very usually lives faithfully with one man, who allows her [136] a fixed sum weekly for her maintenance, and a fixed quantity of new raiment annually, and she works for her family as hard as any other woman. ”

“ He will kneel down in an attitude of worship, with his head inclined to the ground, or he will approach you, and gently rub his nozzle against your hand. Usually a diminutive cow accompanies the bull, and, like him, is grandly attired, and resounds with tinkling bells. She is introduced to the spectators as the bull’s ammagaru, that is consort or spouse. ”

“ Taking all these facts into consideration, together with our knowledge of the pathology of the disease, I do not think we are justified in saying that the black races are more susceptible to the disease than white people. ”

“ When a marriage is contemplated, the parents of the couple, in the absence of horoscopes, go to a temple, and receive from the priest some flowers which have been used for worship. These are counted, and, if their number is even, the match is arranged, and an exchange of betel leaves and nuts takes place. On the wedding day, the bridegroom goes, accompanied by his party, to the house of the bride, taking with him a new cloth, a female jacket, and a string of black beads with a small gold ornament. ”

“ It is the Cheruma that should plough the land, sow the seed, transplant the seedlings, regulate the flow of water in the fields, uproot the weeds, and see that the crops are not destroyed by animals, or stolen. When the crops ripen, he has to keep watch at night. The sentry house consists of a small oval-shaped portable roof, constructed of palmyra and cocoanut leaves, supported by four posts, across which are tied bamboos, which form the watchman’s bed. Wives sometimes accompany their husbands in their watches. When the harvest season approaches, the Cheruman’s hands are full. ”