Summary

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — Afterward (1914)

It was to sit, in the thick December dusk, by just such a wide-hooded fireplace, under just such black oak rafters, with the sense that beyond the mullioned panes the downs were darkening to a deeper solitude: it was for the ultimate indulgence in such sensations that Mary Boyne had endured for nearly fourteen years the soul-deadening ugliness of the Middle West, and that Boyne had ground on doggedly at his engineering till, with a suddenness that still made her blink, the prodigious windfall of the Blue Star Mine had put them at a stroke in possession of life and the leisure to taste it.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — Afterward (1914)

Even Mary Boyne's consciousness gradually felt the same lowering of velocity. It still swayed with the incessant oscillations of conjecture; but they were slower, more rhythmical in their beat. There were moments of overwhelming lassitude when, like the victim of some poison which leaves the brain clear, but holds the body motionless, she saw herself domesticated with the Horror, accepting its perpetual presence as one of the fixed conditions of life.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — Afterward (1914)

Ned had once enthusiastically explained, “that gives such depth to their effects, such relief to their least contrasts. They've been able to lay the butter so thick on every exquisite mouthful.”
The butter had certainly been laid on thick at Lyng: the old grey house, hidden under a shoulder of the downs, had almost all the finer marks of commerce with a protracted past. The mere fact that it was neither large nor exceptional made it, to the Boynes, abound the more completely in its special charm—the charm of having been for centuries a deep dim reservoir of life.
Source: Wikisource

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