Summary

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Blond Beast (1914)

As he talked, it was as if the globe had swung around, and he himself were upright on its axis, with Mr. Spence underneath, on his head. Through the ensuing interchange of concise and rapid speech there sounded in Millner's ears the refrain to which he had walked down Fifth Avenue after his first talk with Mr. Spence: “It's too easy—it's too easy—it's too easy.” Yes, it was even easier than he had expected. His sensation was that of the skilful carver who feels his good blade sink into a tender joint.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Blond Beast (1914)

He had not been afraid to give up his small but safe position in a real-estate office for the precarious adventure of a private secretaryship; and his first glimpse of his new employer had convinced him that he had not mistaken his calling. When one has a “way” with one—as, in all modesty, Millner knew he had—not to utilise it is a stupid waste of force. And when he had learned that Orlando G. Spence was in search of a private secretary who should be able to give him intelligent assistance in the execution of his philanthropic schemes, the young man felt that his hour had come.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Blond Beast (1914)

I don't care how conscientiously a man attends to business, he can't always protect himself against meddlesome people. I don't pretend to know how the letter came into their hands; but they've got it; and they mean to use it—and they mean to say that you wrote it for me, and that you knew what it was about when you wrote it... They'll probably be after you tomorrow——”
Mr. Spence, restoring his cigar to his lips, puffed at it slowly. In the pause that followed there was an instant during which the universe seemed to Hugh Millner like a sounding-board bent above his single consciousness.
Source: Wikisource

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